BLIMP WEEK UPDATE PART UMPTEEN

Now on ebay: Own your own blimp!

Someone else’s loss is your gain. We found this SEA DOO blimp hung up on one of our fences on our ranch (in the middle of nowhere). It was fully inflated with helium and flying a couple of hundred feet in the air, so there are no holes in it. It has at least 200′ of cord (which was how it hung on our fence) so it can fly high over your place!

This thing draws a lot of attention!

The only damage that we could find was that the seam has come apart on one of the fins and it had duct tape around the edge. This doesn’t affect the part that holds the air, and would not be noticeable while “flying”.

We have it tied to our jeep in the picture, so you can see the size difference between the jeep and the blimp and the loader.

The object in question is an inflated 20-25 foot advertising buoy-blimp, the kind of thing one sees tethered over car dealerships. There is no mention of shipping details.

Yatta followup (for pf, I think)

This Yatta! site, via a link from this “fanimutation” via yesterday’s guest star explains why there are silly Japanese men singing while wearing fig leaves.

Lyrics here.

And since I first heard of Yatta! via Paul Frankenstein not very long ago, I should mention that he noted, before I did, that my ID of Moffet Field from I-5 was a bit off geographically.

In point of fact, I was looking at the blimp hangars of the now-mothballed Tustin Marine Base. Moffet is way further north in Cali, nearer to San Jose and the Bay area.

I will do a real Blimp Week Followup on this, HONEST, but the credit was overdue.

In other news, I can now play the ukelele!

Moffet Field from I-5 (Blimp Week followup part IV)

moffet_f.jpg

From the mid-twenties until the beginning of World War II, the Navy had at its disposal two fully-equipped LTA bases from which the great dirigibles could operate. These were, and remain, Lakehurst in New Jersey, the first of these bases, and the lesser-known Moffet Field in Sunnyvale California, just south of Anaheim (just south of the newspaper offices of that bastion of God, guns, guts, abd development, the Orange County Register).

I was pleased to see it as we drove by on our way back to Laguna Beach from a wedding in Pasadena.

The low structures I’ve indicated with brackets are the great hangars.

Blimp Week Followup Pt. III

In my longish story on the Wreck of the Shenandoah, I mentioned the release, and subsequent about face by the publisher, of a song by the same name within a week of the disaster.

At the time, I was unable to find words or music to the song, although I suspected that a child’s school paper on the event was a transcription of the song, unrecognized by that child’s family as they memorialized him.

The always excellent Mudcat Cafe forums, in this thread, one rich r, (whom I suspect of being my deeply knowledgeable acquaintance Rich Remsberg), contributes the complete lyrics to the song, which I’ve shamelessly reproduced below.

Interestingly, given the sourcing that rich r gives the lyrics, it’s possible that the commercial genesis of the song was lost by those that kept the song in circulation and was therefore collected as a specimen of oral tradition.

This particular juncture of myth and ideology in American folk studies is something I’m very interested in – oral transmission of commercial music, incorporating mutating lyrics and melodic variations, produces some of my very favorite songs.

There’s a remarkable set of coincidences described in the thread on the Mudcat board as well – Dale Rose writes

This puts me in mind of an extraordinary night, which still holds a place in my mind as one of those magical evenings which one never forgets.

A good many years ago, about 1961 or 1962 I think, I was spending the night with my cousin Johnny and his family in Southern Illinois. We spent the evening in our usual pursuits, just talking about whatever came to mind ~~ a thoroughly enjoyable evening spent with family. We played the old 78s on their windup phonograph, including The Carter Family, Jimmie Rodgers, Vernon Dalhart, and many others of the string band era. Among the Vernon Dalhart songs that we played was The Wreck of the Shenandoah. It was the first time I had ever heard it. Later we spent a good while outdoors looking at the six story tall balloon satellite which was clearly visible in the night sky, looking much like a moving star ~~ certainly a very large airship, if you will.

A couple of hours later, along about midnight, we were looking through a box of miscellaneous items that Johnny had purchased at a sale the previous week. Among the items was a piece of fabric, rolled up and tied with a faded red ribbon. It was fairly heavy material as I remember it, black on one side and a shiny metallic on the other. We untied the ribbon and unrolled the fabric, which was perhaps a foot square or thereabouts. Inside was a card which identified the fabric as a piece of the airship Shenandoah. We sat there in silence for a moment not quite comprehending the enormity of it all. Even now, nearly 40 years later and almost 75 years after the event, the coincidence of the moment still holds its spell for me. It is quite possible that we were the only ones to play the song that particular evening, and most certainly the only ones to play it, then to hold in our hands a piece of that very airship a few hours later.

WRECK OF THE SHENANDOAH

At four o’clock one evening
On a warm September day
A great and mighty airship
From Lakehurst flew away.

The mighty Shenandoah
The pride of all this land,
Her crew was of the bravest,
Captain Lansdowne in command.

At four o’clock next morning
The earth was far below
When a storm in all its fury
Gave her a fatal blow.

Her side was torn asunder
Her cabin was torn down
The captain and his brave men
Went crashing to the ground.

And fourteen lives were taken
But they’ve not died in vain
Their names will live forever
Within the hall of fame.

In the little town of Greenville
A mother’s watchful eye
Was waiting for the airship,
To see her son go by.

Alas! her son lay sleeping;
His last great flight was o’er.
He’s gone to meet his Maker;
His ship will fly no more.

source: Frank C Brown Collection of North Carolina Folklore

And finally, you can hear a clip of the song from the CD “Inducted into the Hall of Fame, 1981: Vernon Dalhart” at Amazon.

Piranha Airships (Blimp Week Followup Part II)

Piranha Airships is a Puget Sound area manufacturer of fully-operational toy airships. These airships are about two and a half feet long, and have a single band-driven prop slung elegantly under the nose of the gasbag.

I’m a happy owner, and encourage you too to purchase a vessel. They are so simply engineered, it makes me smile just to think of them. My cats, on the oher hand, find the airship to be of concern – it’s as though there’s a giant floating dog in the room. The presence of the balloon results in much hiding, peering around furniture, and running away.

We actually ended up buying a tank of helium at Costco, for, like, $30 or something, which considerably simplifies the process of inflating the gasbag.

There are other resources for toy blimps and dirigibles on the net, most of which are radio-controlled and somewhat larger than the Piranha. They run about $80 to $500 depending on the size and compelxity of the vessel. High-end ones often have a wireless video-camera option.

Draganfly is probably the place I’d go first if I were looking to pick up an RC blimp to bother others in the office with. They are 3-channel products, which means you have a left and right drive sytem as well as an elevation control. Draganfly makes some other pretty cool stuff having mostly to do with RC indoor flight.

… and another wreck, much less interesting

In January of 2001, a blimp owned and operated by Las Vegas-based Airship USA slipped the surly bonds of Earth and man and wandered the skies of the greater San Francisco metropolitan area before finally crashing into a Bay Area restaurant.

Remarkably, no one was hurt in the incident, and even more remarkably, no one interpreted the event as an omen for the principal advertising sponsor of the blimp’s visit to the Bay Area. Said sponsor? The ill-fated XFL.

Here are two stories from SFGate.com, the online presence for the San Francisco Chronicle, um, chronicling the event:

XFL’S UNPLANNED TOUCHDOWN:
Wayward blimp’s wild, woolly flight ends in Oakland crash
– dated 01/10/2001

Runaway blimp lands atop Oakland waterfront restaurant – dated 01/09/2001

Intriguingly, the article notes that the blimp involved in the accident had already claimed two lives. A tiny bit of digging revealed, via an LA Times story hosted on the manufacturer’s website, that two people involved in the construction of the airship died while within the gasbag of the ship itself, when helium entered the part of the bag they were working on.

Much to my pleasure, I discovered that the manufacturer, Aeros Airships, was founded by a visionary Russian aviation engineer, Igor Pasternak. Part of this pleasure is due to my current reading, the second book of Michael Moorcock’s four-volume historical fiction novels of the twentieth century, the Colonel Pyat cycle.

Colonel Pyat is a victim of history; and by his own account, a visionary aeronautic engineer, and a self-deceiving drug-dependent con artist with a bad luck streak a mile wide. I feel quite certain Mr. Pasternak only shares the Colonel’s good features.

Additionally, Moorcock’s work includes “The Warlord of the Air”, a tale of the greatest of fictional airship fleets, a fleet constructed for the anarchist utopians of the central Russian steppe. Led by Mr. Moorcock’s romanticized version of Nestor Makhno (an anarchist military and social leader during the period of Russia’s civil war following the Revolution), the fleet enables the anarchist hordes to establish a new golden age. Said golden age, naturally, spans the globe and opens a bright new chapter in the history of mankind, with liberty, justice, social equality, and cool victorian technology for all.

It’s a great work of both airship and anarchist propaganda, which makes no bones of its debt to the sentimental boy’s novels of aviation and right conduct such as the well known Tom Swift series. It’s loads and loads of fun. Don’t look too closely now, or you’ll note that’s it’s kinda litr’y to boot.

And with that, the curtain falls on BLIMP WEEK. I’m sure I’ll revisit the theme of LTA as I keep this crazy rattletrap dream alive – thanks for coming by! If ever I cut a side of “The Wreck of the Shenandoah”, you’ll find it right here.

Up Ship!

STONES on BLIMP WEEK Coverage

Just so my gentle readers don’t think I was yanking anybody’s chain, here’s a wire story with photos about Tuesday’s Rolling Stones – Blimp Week cross promo:

Yahoo wire photos which will undoubedly change, and here’s the story proper: “Rolling Stones Announce Yet Another“.

I thought about nicking a shot or two, but I’ll wait till the Stones site has some on offer. But as a bonus, here’s a link to a RealMedia clip of the great yellow beast on a test run. Isn’t thirty years a long wait to take an answering poke at “Yellow Submarine”?

Hmmmm… That hangar in the background of the still shot on the news page at the Stones’ site is familiar to me.

Aha! It’s Moffet Field, in Sunnyvale, CA. The clip itself, however, may have been shot at Tillamook – the big standing piers in the background as the ship noses up are the skeletal remains of a wooden Naval LTA blimp hangar, like the remnant at Tillamook. But you know, there are several of these hangar skeletons scattered around, so it could be elsewhere, and it would stand to reason there’d be a skeletal hangar at Moffet.

Here’s a link to a museum located at Moffet. They helpfully note that “The hangar includes an awe-inspiring view of hugeness beyond your comprehension”, in regard to the shelter seen in the still pic referenced; the rocket scientists at Ames have thoughtfully taken all that hugeness and put it into this quicktime VR look at the interior.

Now you know.

The Wreck of the Shenandoah

The screaming of the aluminum girders suddenly ceased. The deep spanging thrum of cables popping slowed. Charles E. Rosendahl clung to a girder and watched the rear half of the great dirigible dwindle below him into the, uh, dark and stormy night.

Rosendahl was the navigator on the USS Shenandoah, the first of the US Navy’s four great dirigibles. Reverse-engineered from a German zeppelin brought down over England, the major engineering innovation in the ship’s design was the use of helium, which, as we all know, is a good idea for an airship. Adding to the attractiveness of the idea, the United States at the time had a global monopoly on helium production.

The airship.freeserve.co.uk site has a gallery of collectors’ images of the Shenandoah. Navy Lakehurst Historical Society also has a great deal of Shenandoah-related material.

The Shenandoah (said to be an Algonquian word meaning “Daughter of the Stars”) had already survived at least two near-disasters in her mere 2 years afloat. She’d been in flight for about 24 hours, en route to St. Louis from her base at Lakehurst, New Jersey. The other incidents were both wind-related accidents. She’d been torn from her moorings in a New Jersey iwindstorm, losing her nose in the process and free-ballooning for the better part of a day all over the eastern seaboard before the 17 persons who happened to be aboard at the time were able to bring her home.

Her other brush with death happened when she was caught in downdrafts while crossing mountains in Arizona on her way to San Diego.

The first incident was widely publicized, with a commercial radio station (the beloved WOR) actually playing a key role in establishing communications with the wounded giant and broadcasting the radio link live to the greater metropolitan area of New York City (imagine!).

The night-time incident in the mountains was not widely covered.

On September 2, 1925, the Shenandoah had departed Lakehurst on the first leg of a Midwestern publicity tour. Publicity tours proved, for all of the Navy’s airships, to actually be the single most time-consuming missions the dirigibles would undertake. The popularity of the ships with the public and politicians, combined with a certain military impracticality, engendered a great deal of criticism of the LTA program within the Navy. Even within the LTA program, these goodwill tours were not regarded as pleasant or worthwhile assignments. The commander of the Shenandoah, Captain Zachary Lansdowne, is said to have been annoyed that the schedule for the airship’s Midwestern journey was published in advance.

This annoyance seems selfish and petulant at best to modern ears. In researching this article and from other readings in the area, it’s clear that the presence of one of these ships in the sky over your city or farm was regarded as an event of great moment. People took time off work, made plans to rise in the middle of the night, and then talked about the sight for the rest of their lives. Much like the space program of the 1960s, the technology of the airship appears to have offered a sort of totem for utopian ideals of technological and social progress.

At any rate, it’s well documented that all along the route the ship was scheduled to take, from Lakehurst to St. Louis, people were aware that the ship was coming and had made plans to be outside looking for the ship when she flew over. For the people of Noble County, Ohio, this anticipation would turn to something very different a little past 4 o’clock on the morning of September 3.

Navigator Rosendahl noted a cloud formation that might be a storm front at 4:20 am, and brought it to the attention of Captain Lansdowne. At the same time, the ship began to rise uncontrollably. This initial rise carried the ship to 3,100 feet, where severe turbulence was encountered. A second, faster rise occurred, carrying the ship to a height of over 6,000 feet despite emergency venting of helium.

The crew of forty-three, roused by the turbulence and the dramatic changes in air pressure, were all working to secure the ship. They were quite aware that an uncontrolled ascent posed a grave threat to the gas cells, which could rupture if the ship were not brought under control.

On the ground, observers recount seeing the ship tumbled along a mass of scudding cloud in the moonlight and suddenly shot high into the sky. As suddenly as it lifted, it was seen to dive dramatically.

Aboard, the crew felt a cold wind catch the ship, and as the ship moved from the rapidly ascending column of warm air and entered the rapidly dropping column of cold air, the efforts to vent gas were replaced by orders to dump ballast. As the crew’s frantic efforts yielded a short-lived artificial rainstorm of seven thousand gallons of water onto the Ohio soil, she entered another thermal column.

Navigator Rosendahl was sent aft. As he headed toward the rear of the ship, she assumed a violently inclined position, possibly nose up. In essence, the front of the ship was in one weather system, and the rear was in another. The collision of the fronts created sufficient windshear that the ship was literally torn in two. Rosendahl stood at the breach, riding the nose of the divided ship skyward.

When the break occurred, the nose-mounted control car, containing the bridge and the captain, was torn away from the hull and plummeted about three thousand feet to the ground. Engines along both main sections of the hull fell away as well, carrying with them mechanics who had climbed out to tend them in the fantastic beating the ship had been taking.

The bow section rose into the turbulent night. Rosendahl and six other airmen established contact with one another and took stock of their grim situation as the undamaged helium cells lifted the bullet-shaped wreck high above the Ohio countryside, reaching an estimated height of 10,000 feet.

The aft section, about 470 feet of the 680-foot ship, broke once more before landing close to the location of the control car’s impact.

Meanwhile, local residents had begun to stream toward the grounded remnants of the once-proud ship, and as the stunned survivors of the wreck sought both care and contact with the Navy, news spread rapidly, eventually drawing an estimated (by me) ten thousand people to the wreck sites within a couple of days of the event. The wrecks were stripped by souvenir seekers, although a guard was eventually posted.

I’ve seen photos of unconcerned looking guards before sections of the wreck that have clearly not been picked over, and read accounts of picking so thorough that souvenir hunters dug up potatoes from the farms the hull landed atop when there was no material to be had from the broken body of the Shenandoah.

As Noble County began to react to the historic tragedy unfolding above, the seven remaining fliers systematically began to bring the remnant of the Shenandoah under control, principally by venting helium. An hour after the breakup and twelve miles away, they were low enough to call out to farmer Ernest Nichols for help securing one of the trailing cables.

In a Cleveland Plain Dealer article, “Dirigible disaster“, one of several elderly eyewitnesses reminisces:

The farmer’s son, Stanley E. Nichols, 77, of Caldwell, was only 2 ½, but said he vividly remembers when that giant silver cone, nearly 10 stories high and 300 feet long, came plowing through their orchard.

“I was scared. We were all scared. Very scared,” Nichols said. “It was coming right at us, open-end first, with long strips of fabric flapping in the wind.”

(The article includes an elderly woman recalling the ship coming apart in the air, as well.)

Nichols gave it a shot, busting a fence and uprooting a tree stump in the process before finally setting the rope to a large tree. The seven shaken survivors then borrowed the farmer’s shotgun and holed the remaining helium cells, laying the Shenandoah to her rest. Remarkably, only fourteen persons perished, eleven of those in the control car.

Her last flight might have been over, but the consequences of the wreck had just begin. A song, “The Wreck of the Shenandoah” was written and released under the pen name “Maggie Andrews” by the team of Carson Robison and Vernon Dalhart, who specialized in disaster ballads and are remembered today principally for “The Wreck of the Old 97”. A recorded version of the song was also released, but both versions were quickly suppressed after complaints from family members of those lost in the incident (click the image of the sheet music for a large view of both sections of the wreck).

I’d hoped to find a recording of the song to link to, or failing that, to perform the song and provide that here, but I was unable to locate the music in time for this article. I did find a link to a “school paper” preserved by the family of one Dalton McLaughlin, possibly in the belief that Mr. McLaughlin had written the lyrics, but which are probably a child’s transcription of the song.

An additional, and not at all obvious consequence of the wreck, was the loss of all the US Navy’s helium. Helium was dramatically more expensive than hydrogen (over $100 a cubic foot versus hydrogen’s $2-and-change), and although the Navy had two active dirigibles in service in September of 1925, (the Los Angeles had been delivered from Germany in October of 1924) but helium was so scarce that only one of the two ships could be airborne at a time. It would be April of 1926 before there were sufficient helium reserves available for the ship to take to the skies once again.

The wreck is still recalled today, as the Plain Dealer article referenced above shows, and I also located an article at the New England Aviation Museum which includes photos of the wreck site from 1997 and from 1925. Bryan Rayner, of Ava, Ohio, the town closest to the wreck, maintains a museum in a trailer with wreck-related artifacts and curiosities.

Finally, here’s another account of the airship’s loss, originally published in American Heritage in 1969: The Death of a Dirigible. It’s much more dramatic than mine.

UPDATE: I followed up some on the Vernon Dalhart song here, and there are some other wonderfully interesting comments on that entry as well.

UPDATE, 2008: Gregg Frisby has sent some family photos of the tail section, probably taken early on the morning of the wreck.

the BLIMP WEEK theme song

Ken Goldstein, of the Illuminated Donkey has kindly agreed (actully, he’s done no such thing, and will come away from this performance believing it was all some sort of peculiar dream brought on by one too many egg creams) to perform the BLIMP WEEK theme song for us here in the vast and dusty mike.whybark.com Dirigible Theater, largely abandonded since the dot-com collapse picked up steam.

(Enter KEN stage left, wearing a straw boater, white flannel pants, and a red-and-while striped jacket while twirling a cane and performing stereotypical vaudeville dance moves. a sad piano tinkles the melody in the echoing, empty hall, dusty but still flashing gilt through the murk)

blimp week, it’s blimp week
not shark week or zep week
it’s blimp week for me and for you

blimp week, not limp weak,
blimp week is spelt kay-ee-dubyuh-ell
you’ll feel light, you’ll float away
when it’s blimp week for me and for you

(spellbinding softshoe number here)

we’ll use hydrogen not helium
although the latter makes for squeaky feelium
drop that altria smoke, don’t light that match
and look out for static sparking shock!

blimp week, it’s blimp week
where you’ll feel firm and strong
and the songs will make you cry
blimp week, it’s blimp weak
sailing through the internet SKYYYY!!!

(with, the, you know, big finish, down on one knee, cane hooked over outspread arm, you know the bit)

*EXCLUSIVE* STONES ANNOUNCE BLIMP WEEK GRAND FINALE

According to Reuters, “Rolling Stones to Blimp New York“.

LOS ANGELES (Reuters) – The Rolling Stones plan to drop in from the sky next week to announce their first tour in three years, according to a U.S. government official.

The veteran rockers will commandeer an airship and cruise into Van Cortlandt Park, New York City’s third largest park, in the northwestern Bronx, on Tuesday at about 12:45 p.m. EDT (5.45 p.m UK time) The site’s wide open spaces, used for football and cricket matches, make it a practical landing area.

A tip of the hat to mike.whybark.com roving field personnel Eric Sinclair and Anne Zender for arranging this spontaneous publicity for BLIMP WEEK, and of course, we’d like to thank the fun-loving grandpas in the venerable British rock band too. Don’t hurt your backs, boys! And don’t forget to tell ’em it’s BLIMP WEEK!

Members of the press who may find themselves at the event will be encouraged to sing the Blimp Week theme song allong with Mr. Jagger, in a hearty chorus of good-fellowship and old-boy vaudeville.

Here’s a bit more from the German press:

Kommen Rolling Stones mit einem Zeppelin nach New York? at sueddeutsche.de.

UPDATE: The Blimp Guys were behind this ship.