Enron charged with Price-Fixing

Well now, here’s a shock. Lets’ see now, I’ve been speculating bitterly about this since, um, MY F***ING ELECTRICITY BILL TRIPLED.

Get ’em! Hang ’em high! Horsewhip ’em! Brand ’em on both cheeks! Ride ’em out of town on a rail! Boil that tar – I’ll bring the feathers!

Sounds like Washington pols are scrambling to clamber aboard the California-launched boat, which certainly pleases ME.

Less facetiously (don’t actually hang ’em, just keep power utilities in public hands for the rest of my life), it seems clear to me, at least, that the destruction of cheap power for the west coast functioned as the catalyst for the recession (or whatever you want to call it – I’m still not working, so I’ll call it a recession).

This InfoWorld Story from the January 2001 bears out my observation, partly.

I don’t know if you recall. Falling stock prices of dot-coms in the wake of the Justice Department indictment of Microsoft on April 15, 2000, in conjunction with the energy crisis, led to public fingerpointing – at the dot-coms, because they were using sooo much electricity that it was bringing California to its’ knees.

My very favorite of these moments was from ever-smugly irritating former Seattle Weekly editor Knute Berger on the public radio humor show Rewind, in which he blamed the dot-coms for Enron’s failure. (Or at least that’s how I remember it.)

My own bitterly nursed hatred of Enron extends beyond the company itself and into the fervent hope that hearings will, in fact, uncover irrefutable evidence that Enron officials colluded with the GOP to create the energy crisis, and predictable, consequent recession in time for the 2000 election season.

They just missed, you know; if the recession had arrived in full force in October instead of December there would have been a much clearer outcome in the November elections.

Nonetheless, I’m not holding my breath for such evidence to come to light, or even get covered, let alone have any meaningful political consequences. Representatives of one political party’s presidential campaign were conclusively demonstrated to have dealt arms with foreign terrorist governments in order to sway an election a ways back. However, that demonstration was without appreciable political consequences for the administration that resulted from said campaign.

There’s no reason to expect anything other than cursory coverage should evidence of a GOP-Enron recession plan emerge. In fact, I’d guess that should such a thing emerge, our good pals charged with making the inquiries will run like hell in the other direction instead of pressing the point.

fiddly bits

Ah, 100% randomized image and slogan goodness just above.

BUT

It looks like the page build futzes a bit from time to time.

AND

I learned a new smiley today:

m/

It’s your standard-issue heavy-metal hand signal, the horns. RAWK ON DOODZ.

Episode II Early Returns: Lucas Trails Binks at Polls

New York Times political reporter A. O. Scott calls in from the polling station:

“Like weary Brezhnev-era Muscovites, the American moviegoing public will line up out of habit and compulsion, ruefully hoping that this episode will at least be a little better than the last one, and perhaps inwardly suspecting that the whole elephantine system is rotten.”

Don’t hold back, A. O.! Come ON, already, tell us the TRUTH! Or do you have something to hide?

It’s pretty much a curb-stompin. Blood, teeth, horrified onlookers. I laughed out loud:

‘Star Wars: Episode II’: Kicking Up Cosmic Dust (Yeah, yeah, it’s at the Times. Oh shuddup. You’re already registered or else you don’t have a computer in which case go buy the damn rag already and SAY how are you reading this then huh smart guy)

Ask me what a curb-stomping is. Go on. I dare ya. No, I take it back. Go ask ya muddah.

Ouch! He uses the line, oh my god, he USES THE LINE:

“But where are the clones? Send in the clones!”

I’m sorry, you’re not old enough to read this review. Your mother and I have decided it’s for the best. You can look it up on half-legible microfilm in a couple decades, about the time the last three Star Wars movies come out.

Hometown Firebombing

May 4, 2002
“Truck firebombed at poultry company
Undetonated incendiary devices recovered from under two other trucks”

BLOOMINGTON, IN – An early-morning explosion that damaged a truck at a wholesale poultry plant was deliberate, an agent with the federal Bureau of Alcohol Tobacco and Firearms said Friday.
www.hoosiertimes.com

here’s a link to a mailing list posting of the article, and here’s a link to the article in the context of the original publication.

Tip o hat to Spencer Sundell.

UPDATE: the lead story on May 10, 2002 involves the long overdue arrest of an individual on murder charges in Martinsville, the town halfway between Bton and Indy, to which, since the murder, 33 years ago, the stink of the Klan has clung.

While it’s time to resolve this matter, I have to point out that received wisdom had it, when I was a sprat, that Martinsville was the source of all evil in Indiana, and that the Klan had sprung from there, reborn, in the wake of D. W. Griffith’s monstrous 1920’s triumph, “Birth of a Nation”.

In fact, what was going on there was my homestate scapegoating a small city. Martinsville had a rep as the worst place Indiana to be black or Jewish in when I was growing up. Maybe that ‘s true. But it was no piece of cake in Bloomington either, and the whole state elected a Klan government in the 20’s.

Luke Helder v. John Walker Lindh

Yow! Lotsa stuff in the real world last week!

Item:

Minnesotan art student runs amuck, pipebombing mailboxes for no apparent reason.

Alice in TV Land has more, including a link to a mirror of the kid’s band site (they are called “Apathy”).

Here’s what I’d like to know: why is John Walker Lindh such a lighting rod compared to this this kid? My only slightly informed opinion of the bomb kid is that he’s sort of hapless, which is somehow reinforced by his choice of band names.

Here’s what’s interesting to me about this: we don’t actually have any evidence at all that Lindh ever hurt a fly. He’d been trained, sort of, and had chosen a religious belief system that became highly unfashionable in the American press in September, granted.

But I’m hard pressed to recall a clear, unambiguous blowing-up-a-mail-carrier’s-hand incident associated with Mr. Lindh.

So:

Luke Helder, associated with injuring six people via pipe bomb, a hapless art-nebbish whose concerned parents have helpfully illuminated his troubled mind in the media.

John Walker Lindh, associated with our gummints’ enemy du jour, a hapless religious nebbish whose concerned parents have helpfully illuminated his trobled mind in the media and whose head is slated for pikeage by pundits and represtatives of the US government as well.

UPDATE: (CNN.com) “Police: Suspect planned smiley face bomb pattern”

Okay, maybe that explains it. Or maybe the kid just read “From Hell” and “Watchmen” a couple too many times.

Check the map. Looks like he’d gotten the left side of the smile started.

So, is this a junior thesis for art school? It may be the world’s largest work of geographically specific art.

ENTERPRISE double header

Some of you may know that I’ve been writing occasional comics reviews for Cinescape. I’ve also had the good fortune to be asked to write about the new Star Trek series for them from time to time. I reviewed the inaugural episode but they took a pass, so I imagine it will wind up here sooner or later. I have a super short one-pager in the current print edition, and also did a speculative piece about possible plot directions for the show.

The double-header that aired Wednesday night was striking because of the naked inspiration the stories took from current events. The story development phase for these episodes likely took place in December, running, possibly, into January.

The name of the pivotal planet in the first episode that aired was “Mazar”, undoubtely drawn from the site of several fierce battles during the war, and of course the site of John Walker Lindh’s capture; these events occurred in late November and may well have been fresh in the minds of the writers for the show. The plot? A distinguished Vulcan ambassador has been expelled from Mazar for conduct unbecoming, etc., and Enterprise must take her to a rendezvous point. But what’s this? Mazarians in fast ships chase Enterprise, battling her for the ambassador. Will our heroes make it? Why are the Mazarites upset? Well, you’ll just have to watch the episode, but rest assured, there are plot echoes of current events throughout.

The second episode finds our doughty crew helping a low-rent Lawrence of Arabia, a strapping charmer who invites the Cap’n and Tripp down to his desert camp for a lashing game of white-boy lacrosse. Then the planetary gummint hails T’Pol in orbit and beams the big clue in: our boy down there is a terrorist.

The Cap’n and Tripp get the word, and they make a run for it over 30 klicks of burning sand, fleeing a nighttime artillery bombardment depicted with great care by the FX team. Do they make it? Well, you know I don’t kiss and tell.

This episode was as close as I’ve ever seen Trek come to reflecting on current events in real time. It’s important to note that the issue of the dashing rogue’s terrorism is left deliberately vague – he’s got weapons, he’s leading a war against a superior military force, he claims oppression, and they say he takes out civilians. We never get much of either side, in fact.

Which is really as it should be, since Trek is about ideas and character. Braga and Berman era Trek has actually repeatedly returned to the theme of terror and revolution over and over, almost always unsuccessfully. The Bajorans resisting Cardassian occupation. The Maquis resisting Federation treaties ceding their planets to the Klingons. The problems with these depictions of the issue is uniformly their failure to avoid preaching and at the same time their inability to pick a side. It’s as though the ambitions of the writers and producers to create comitted, socially responsible fiction about the topic are always defeated by the requirements of the medium of commercial TV.

Of course, it could just be the topic. I don’t think you can discuss it and make everyone happy.

This episode did create a sympathetic character who was identified as a terrorist, and in light of recent events in the middle east, I am surprised they aired it. However, becasue the majority of the episode was associated with issues of character and science-fiction problem solving, the episode avoided the tiresome quality that the other episodes revolving about the theme have often had.

Naturally, your mileage may vary. I rather imagine that it probably nettled more people than it did not.

Oh ho! on the official Trek boards, we find this thread: “More than a little disturbed by ‘Desert Crossing'”, in which thread starter “mike01” (no relation, I assume) sez:

It all stank of a “hidden” pro-Palestinian, and more disturbingly, pro-terrorist (his cause is worth fighting for? he attacks civilian tartgets and Archer has no problem with this?) message.

I am more than a little disturbed. I don’t know what to think. It’s almost like a Palestinian terrorist made his way into the plot room at Enterprise headquarters and snuck in a propaganda script and no one noticed.

(God, the board UI SUCKS. You can’t just flip through the thread in chronological order.)

… and another wreck, much less interesting

In January of 2001, a blimp owned and operated by Las Vegas-based Airship USA slipped the surly bonds of Earth and man and wandered the skies of the greater San Francisco metropolitan area before finally crashing into a Bay Area restaurant.

Remarkably, no one was hurt in the incident, and even more remarkably, no one interpreted the event as an omen for the principal advertising sponsor of the blimp’s visit to the Bay Area. Said sponsor? The ill-fated XFL.

Here are two stories from SFGate.com, the online presence for the San Francisco Chronicle, um, chronicling the event:

XFL’S UNPLANNED TOUCHDOWN:
Wayward blimp’s wild, woolly flight ends in Oakland crash
– dated 01/10/2001

Runaway blimp lands atop Oakland waterfront restaurant – dated 01/09/2001

Intriguingly, the article notes that the blimp involved in the accident had already claimed two lives. A tiny bit of digging revealed, via an LA Times story hosted on the manufacturer’s website, that two people involved in the construction of the airship died while within the gasbag of the ship itself, when helium entered the part of the bag they were working on.

Much to my pleasure, I discovered that the manufacturer, Aeros Airships, was founded by a visionary Russian aviation engineer, Igor Pasternak. Part of this pleasure is due to my current reading, the second book of Michael Moorcock’s four-volume historical fiction novels of the twentieth century, the Colonel Pyat cycle.

Colonel Pyat is a victim of history; and by his own account, a visionary aeronautic engineer, and a self-deceiving drug-dependent con artist with a bad luck streak a mile wide. I feel quite certain Mr. Pasternak only shares the Colonel’s good features.

Additionally, Moorcock’s work includes “The Warlord of the Air”, a tale of the greatest of fictional airship fleets, a fleet constructed for the anarchist utopians of the central Russian steppe. Led by Mr. Moorcock’s romanticized version of Nestor Makhno (an anarchist military and social leader during the period of Russia’s civil war following the Revolution), the fleet enables the anarchist hordes to establish a new golden age. Said golden age, naturally, spans the globe and opens a bright new chapter in the history of mankind, with liberty, justice, social equality, and cool victorian technology for all.

It’s a great work of both airship and anarchist propaganda, which makes no bones of its debt to the sentimental boy’s novels of aviation and right conduct such as the well known Tom Swift series. It’s loads and loads of fun. Don’t look too closely now, or you’ll note that’s it’s kinda litr’y to boot.

And with that, the curtain falls on BLIMP WEEK. I’m sure I’ll revisit the theme of LTA as I keep this crazy rattletrap dream alive – thanks for coming by! If ever I cut a side of “The Wreck of the Shenandoah”, you’ll find it right here.

Up Ship!

STONES on BLIMP WEEK Coverage

Just so my gentle readers don’t think I was yanking anybody’s chain, here’s a wire story with photos about Tuesday’s Rolling Stones – Blimp Week cross promo:

Yahoo wire photos which will undoubedly change, and here’s the story proper: “Rolling Stones Announce Yet Another“.

I thought about nicking a shot or two, but I’ll wait till the Stones site has some on offer. But as a bonus, here’s a link to a RealMedia clip of the great yellow beast on a test run. Isn’t thirty years a long wait to take an answering poke at “Yellow Submarine”?

Hmmmm… That hangar in the background of the still shot on the news page at the Stones’ site is familiar to me.

Aha! It’s Moffet Field, in Sunnyvale, CA. The clip itself, however, may have been shot at Tillamook – the big standing piers in the background as the ship noses up are the skeletal remains of a wooden Naval LTA blimp hangar, like the remnant at Tillamook. But you know, there are several of these hangar skeletons scattered around, so it could be elsewhere, and it would stand to reason there’d be a skeletal hangar at Moffet.

Here’s a link to a museum located at Moffet. They helpfully note that “The hangar includes an awe-inspiring view of hugeness beyond your comprehension”, in regard to the shelter seen in the still pic referenced; the rocket scientists at Ames have thoughtfully taken all that hugeness and put it into this quicktime VR look at the interior.

Now you know.

The Wreck of the Shenandoah

The screaming of the aluminum girders suddenly ceased. The deep spanging thrum of cables popping slowed. Charles E. Rosendahl clung to a girder and watched the rear half of the great dirigible dwindle below him into the, uh, dark and stormy night.

Rosendahl was the navigator on the USS Shenandoah, the first of the US Navy’s four great dirigibles. Reverse-engineered from a German zeppelin brought down over England, the major engineering innovation in the ship’s design was the use of helium, which, as we all know, is a good idea for an airship. Adding to the attractiveness of the idea, the United States at the time had a global monopoly on helium production.

The airship.freeserve.co.uk site has a gallery of collectors’ images of the Shenandoah. Navy Lakehurst Historical Society also has a great deal of Shenandoah-related material.

The Shenandoah (said to be an Algonquian word meaning “Daughter of the Stars”) had already survived at least two near-disasters in her mere 2 years afloat. She’d been in flight for about 24 hours, en route to St. Louis from her base at Lakehurst, New Jersey. The other incidents were both wind-related accidents. She’d been torn from her moorings in a New Jersey iwindstorm, losing her nose in the process and free-ballooning for the better part of a day all over the eastern seaboard before the 17 persons who happened to be aboard at the time were able to bring her home.

Her other brush with death happened when she was caught in downdrafts while crossing mountains in Arizona on her way to San Diego.

The first incident was widely publicized, with a commercial radio station (the beloved WOR) actually playing a key role in establishing communications with the wounded giant and broadcasting the radio link live to the greater metropolitan area of New York City (imagine!).

The night-time incident in the mountains was not widely covered.

On September 2, 1925, the Shenandoah had departed Lakehurst on the first leg of a Midwestern publicity tour. Publicity tours proved, for all of the Navy’s airships, to actually be the single most time-consuming missions the dirigibles would undertake. The popularity of the ships with the public and politicians, combined with a certain military impracticality, engendered a great deal of criticism of the LTA program within the Navy. Even within the LTA program, these goodwill tours were not regarded as pleasant or worthwhile assignments. The commander of the Shenandoah, Captain Zachary Lansdowne, is said to have been annoyed that the schedule for the airship’s Midwestern journey was published in advance.

This annoyance seems selfish and petulant at best to modern ears. In researching this article and from other readings in the area, it’s clear that the presence of one of these ships in the sky over your city or farm was regarded as an event of great moment. People took time off work, made plans to rise in the middle of the night, and then talked about the sight for the rest of their lives. Much like the space program of the 1960s, the technology of the airship appears to have offered a sort of totem for utopian ideals of technological and social progress.

At any rate, it’s well documented that all along the route the ship was scheduled to take, from Lakehurst to St. Louis, people were aware that the ship was coming and had made plans to be outside looking for the ship when she flew over. For the people of Noble County, Ohio, this anticipation would turn to something very different a little past 4 o’clock on the morning of September 3.

Navigator Rosendahl noted a cloud formation that might be a storm front at 4:20 am, and brought it to the attention of Captain Lansdowne. At the same time, the ship began to rise uncontrollably. This initial rise carried the ship to 3,100 feet, where severe turbulence was encountered. A second, faster rise occurred, carrying the ship to a height of over 6,000 feet despite emergency venting of helium.

The crew of forty-three, roused by the turbulence and the dramatic changes in air pressure, were all working to secure the ship. They were quite aware that an uncontrolled ascent posed a grave threat to the gas cells, which could rupture if the ship were not brought under control.

On the ground, observers recount seeing the ship tumbled along a mass of scudding cloud in the moonlight and suddenly shot high into the sky. As suddenly as it lifted, it was seen to dive dramatically.

Aboard, the crew felt a cold wind catch the ship, and as the ship moved from the rapidly ascending column of warm air and entered the rapidly dropping column of cold air, the efforts to vent gas were replaced by orders to dump ballast. As the crew’s frantic efforts yielded a short-lived artificial rainstorm of seven thousand gallons of water onto the Ohio soil, she entered another thermal column.

Navigator Rosendahl was sent aft. As he headed toward the rear of the ship, she assumed a violently inclined position, possibly nose up. In essence, the front of the ship was in one weather system, and the rear was in another. The collision of the fronts created sufficient windshear that the ship was literally torn in two. Rosendahl stood at the breach, riding the nose of the divided ship skyward.

When the break occurred, the nose-mounted control car, containing the bridge and the captain, was torn away from the hull and plummeted about three thousand feet to the ground. Engines along both main sections of the hull fell away as well, carrying with them mechanics who had climbed out to tend them in the fantastic beating the ship had been taking.

The bow section rose into the turbulent night. Rosendahl and six other airmen established contact with one another and took stock of their grim situation as the undamaged helium cells lifted the bullet-shaped wreck high above the Ohio countryside, reaching an estimated height of 10,000 feet.

The aft section, about 470 feet of the 680-foot ship, broke once more before landing close to the location of the control car’s impact.

Meanwhile, local residents had begun to stream toward the grounded remnants of the once-proud ship, and as the stunned survivors of the wreck sought both care and contact with the Navy, news spread rapidly, eventually drawing an estimated (by me) ten thousand people to the wreck sites within a couple of days of the event. The wrecks were stripped by souvenir seekers, although a guard was eventually posted.

I’ve seen photos of unconcerned looking guards before sections of the wreck that have clearly not been picked over, and read accounts of picking so thorough that souvenir hunters dug up potatoes from the farms the hull landed atop when there was no material to be had from the broken body of the Shenandoah.

As Noble County began to react to the historic tragedy unfolding above, the seven remaining fliers systematically began to bring the remnant of the Shenandoah under control, principally by venting helium. An hour after the breakup and twelve miles away, they were low enough to call out to farmer Ernest Nichols for help securing one of the trailing cables.

In a Cleveland Plain Dealer article, “Dirigible disaster“, one of several elderly eyewitnesses reminisces:

The farmer’s son, Stanley E. Nichols, 77, of Caldwell, was only 2 ½, but said he vividly remembers when that giant silver cone, nearly 10 stories high and 300 feet long, came plowing through their orchard.

“I was scared. We were all scared. Very scared,” Nichols said. “It was coming right at us, open-end first, with long strips of fabric flapping in the wind.”

(The article includes an elderly woman recalling the ship coming apart in the air, as well.)

Nichols gave it a shot, busting a fence and uprooting a tree stump in the process before finally setting the rope to a large tree. The seven shaken survivors then borrowed the farmer’s shotgun and holed the remaining helium cells, laying the Shenandoah to her rest. Remarkably, only fourteen persons perished, eleven of those in the control car.

Her last flight might have been over, but the consequences of the wreck had just begin. A song, “The Wreck of the Shenandoah” was written and released under the pen name “Maggie Andrews” by the team of Carson Robison and Vernon Dalhart, who specialized in disaster ballads and are remembered today principally for “The Wreck of the Old 97”. A recorded version of the song was also released, but both versions were quickly suppressed after complaints from family members of those lost in the incident (click the image of the sheet music for a large view of both sections of the wreck).

I’d hoped to find a recording of the song to link to, or failing that, to perform the song and provide that here, but I was unable to locate the music in time for this article. I did find a link to a “school paper” preserved by the family of one Dalton McLaughlin, possibly in the belief that Mr. McLaughlin had written the lyrics, but which are probably a child’s transcription of the song.

An additional, and not at all obvious consequence of the wreck, was the loss of all the US Navy’s helium. Helium was dramatically more expensive than hydrogen (over $100 a cubic foot versus hydrogen’s $2-and-change), and although the Navy had two active dirigibles in service in September of 1925, (the Los Angeles had been delivered from Germany in October of 1924) but helium was so scarce that only one of the two ships could be airborne at a time. It would be April of 1926 before there were sufficient helium reserves available for the ship to take to the skies once again.

The wreck is still recalled today, as the Plain Dealer article referenced above shows, and I also located an article at the New England Aviation Museum which includes photos of the wreck site from 1997 and from 1925. Bryan Rayner, of Ava, Ohio, the town closest to the wreck, maintains a museum in a trailer with wreck-related artifacts and curiosities.

Finally, here’s another account of the airship’s loss, originally published in American Heritage in 1969: The Death of a Dirigible. It’s much more dramatic than mine.

UPDATE: I followed up some on the Vernon Dalhart song here, and there are some other wonderfully interesting comments on that entry as well.

UPDATE, 2008: Gregg Frisby has sent some family photos of the tail section, probably taken early on the morning of the wreck.

the BLIMP WEEK theme song

Ken Goldstein, of the Illuminated Donkey has kindly agreed (actully, he’s done no such thing, and will come away from this performance believing it was all some sort of peculiar dream brought on by one too many egg creams) to perform the BLIMP WEEK theme song for us here in the vast and dusty mike.whybark.com Dirigible Theater, largely abandonded since the dot-com collapse picked up steam.

(Enter KEN stage left, wearing a straw boater, white flannel pants, and a red-and-while striped jacket while twirling a cane and performing stereotypical vaudeville dance moves. a sad piano tinkles the melody in the echoing, empty hall, dusty but still flashing gilt through the murk)

blimp week, it’s blimp week
not shark week or zep week
it’s blimp week for me and for you

blimp week, not limp weak,
blimp week is spelt kay-ee-dubyuh-ell
you’ll feel light, you’ll float away
when it’s blimp week for me and for you

(spellbinding softshoe number here)

we’ll use hydrogen not helium
although the latter makes for squeaky feelium
drop that altria smoke, don’t light that match
and look out for static sparking shock!

blimp week, it’s blimp week
where you’ll feel firm and strong
and the songs will make you cry
blimp week, it’s blimp weak
sailing through the internet SKYYYY!!!

(with, the, you know, big finish, down on one knee, cane hooked over outspread arm, you know the bit)