Not my BKB

At work today, a co-worker was listening to a Philly sports radio station when he heard a promo for some St. Paddy’s Day shows by Philly’s own The Bare Knuckle Boxers.

He and I both found this amusing, having been founding members of Seattle’s own BKB. Given the Google results for bare knuckle boxers, it seems unlikely that the Philly gents are unaware of our now-departed Pacific coast enterprise. Thinking back to my own days of four St. Paddy’s gigs in a day, I’ll doff my hat to the youngsters.

There are some odd resonances that I wish to note, as well.

At work we commonly play one or two episodes of the absurdist, cynical, and potentially nihilist sitcom It’s Always Sunny in Philadelphia, and consequently I will always imagine the Philly BKB playing in Paddy’s Pub.

When Seattle’s BKB started playing, another post-Pogues Irish rock band was active locally (and may still be), Saint Bushmill’s Choir. As is currently visible on the website I just linked to, the band would occasionally give a shout out to your Philadelphia Flyers.

So, far be it from me to make sense of this. But it seems plainly apparent that Philly, Seattle, and Irish music times the rock and the roll are somehow bound by destiny. Take it up and shape it, ’cause I’m going to bed.

Plants and stones

We spent Saturday out and about, getting starter plants and seeds for the garden after starting our day at SAM’s twin traveling exhibits, The Gates of Paradise (hurry, it closes April 6) and Roman Art from the Louvre, through May 11.

It was wonderful to see the Ghiberti panels so intimately. Unfortunately, as the Louvre show is a certified blockbuster, they use timed ticket entry and I was unable to head directly to the panels for some leisurely, intense looking prior to joining the jostling masses one floor up.

The Roman show is flat-out terrific, with a couple of minor exhibit-based quibbles. First, audio-guide numbers are sparsely sited and hard to see, leading to much poking and jostling as people try to figure out what entry they should listen to as they observe this patch of mosaic over someone’s shoulder or that left eye of a head between those two tall persons standing very very close to the sculpture.

The effect is to divert attention away from the art and artifacts, both for the persons desperately seeking a layer of interpretive information to mediate their looking and for other members of the onlooking throng as the seekers dodge in and out of the knots of would-be viewers. Especially in chilly Seattle where personal space is so important, that produces room after room of people uncomfortably twisting away from one another, casting their eyes about in order to mee no other’s gaze, backing away from that tiny grey-haired woman only to bump into the gladiator-huge man standing directly behind your head.

And that, of course, is the other issue. Certainly, by attending the show at midday on a Saturday, we almost certainly experienced the galleries at maximum attendance. That maximum, to put it simply, was too much. The art was not satisfactorily observable. It was truly impossible to look at any one object long enough to develop the least moment of concentrated observation.

However, the objects in the show and the arrangement of them in relation to one another were really quite stunning, well worth another trip at a less trafficked hour, and I surely intend to return. Vivian especially enjoyed comparing the information and nonsense (surprisingly little of that, really) obtained from our relatively recent viewing and appreciation of
the HBO miniseries Rome, which included historical accuracy as a primary production goal.

Viv’s favorite pieces were the twin full-figure sculptures of Augustus and Livia that announce the main body of the show, in a room mostly occupied with portrait sculptures of the family of that founding dynasty of the Empire. I’m not certain what my favorite was, but the amazing mosaic panel in the introductory section of the show may be the one I’d choose.

Given my recent home projects, I would have loved it if a bit more time had been invested in information concerning both formal residential gardens and kitchen gardens in the Empire, but obviously that is outside the scope of the show. Still, I’d like to know about Roman spices and herbs, for example. My intuition is that many of the European herbs we commonly use today such as lavender and oregano would have been in the garden and in the larder, while most Asian and Oceanic herbs (such as black peppercorns) would have been unknown.

Afterwards we drove all the way up to Sky Nursery in Shoreline and returned with a wide array of starter veggies and flowers. Despite all my pissing and moaning I have been forced into book-larnin’ to grok the intrickasees of the planter’s art, which appears to revolve, in spring, about the last frost date for your area. Hereabouts it is March 26.

Thus, most of my flats will go out the weekend before the 26 while I hope that the cold won’t come in those few days. Over the next week I’ll be starting sprouters inside, too.

One unexpected wrinkle is that the books seem to suggest I should wait until mid April to start working on outside tomatoes, which is a pain in the butt from my perspective – I moved my plants in over the winter and they have grown into enormous, vining monstrosities that make it hard to move around in the solarium. I guess I’ll just cage them inside for now and disentangle them from the furniture and so forth.

What? No blueprints?

WSU Gardening in Western Washington.

God I hope this has a planting guide for a 4×4 grid. I’m really surprised that I haven’t come across some plant otaku’s obsessive archives of what they did last year, and the year before, and…

I suppose it will be up to me. All I want is a completed planting map that I can run off to the store to get seeds for and whatnot. I’ll learn as I go, I don’t really have time learn why plant X is next to plant Y or to think about what matures when. I wish to stand upon the shoulders of others and it seems that the intarweb is letting me down. Looks like I have to go to the bookstore.

Lucky them.

Brain dead and soakin wet

Being an eejit, it came as no surprise – or at least didn’t piss me off – to learn that I had misremembered the specs on SFG-style raised beds. Not four feet by four feet by 16 to 18 inches, but four by four by SIX TO EIGHT inches.

God dammit. Not 22 cubic feet of soil, eleven. Not four eight-foot 8’x8″x.5″, two. Et fucking cetera.

Oh well. Apparently a double-capacity bed is good for stuff you expect to need more than six inches of depth, carrots, corn mebbe, who knows what else.

As I write this hundreds – possibly thousands – of crows are chattering and squawking over space in our trees. I believe I will step out into the rain to hear the chorus. Atonal it may be, and crows such a successful urban creature that I will grow to hate them in time, but at the moment I do not. I root for them each time I see them climb the skies en masse, pursuing an hallucinated or real raptor or opportunistic gull.

Mappes

someone’s old-skool page of redrawn RPG Maps, including a version of City-State of the Invincible Overlord, that while reproducing the specific details I recall from the map of my childhood, lacks the handmade aesthetic appeal of the original.

Bad soil

The first bed is filled. I shot for a 1/3 each peat, compost, vermiculite deal, per Mel. I ended up with 4 ft vermiculite, 4.4 ft peat (which was a bitch to declod, it was hard and dense like rocks – therefore the peat might be more than 4.4 ft), and SEVEN feet of compost. The mix is still not black enough for my tastes, so I might add some more gook.

I was projecting 22 ft to fill the 4 x 4 x 1.5 bed, and that still seems right – 16 + 8 = 22, but what I have in it now was sold as 15.4 feet. So color me confused.

Oh, the bill for today’s dirt, NOT free like air, was $94. At this rate it will indeed be cheaper to just buy thedamn veggies at the store, and a sight faster besides.

I should note that I while I am committed to this process, I am HATING it. It’s much more physically pleasant in Seattle’s cool climate to perform the tasks associated with this process – measuring and cutting and digging and shit like that – than it was in the climate I was raised in.

My parents encouraged me to help them with their gardening and so forth, and I HATED every second of it. My awareness of that antipathy led me to avoid buying a house for years after I realized it was in my – and Viv’s – financial interest. Three years on, I have certainly confirmed that my antipatthy to homeownership is not reflective of adolescent rage or of Midwestern summer swelter – I still hate it the associated labor just as much as I did as a kid, and I certainly do not subscribe to the ‘safe as houses’ superstition.

I regularly awaken in fearful anxiety dreams associated with our mortgage. In essence, I genuinely do not believe that owning this house is in my economic, financial, or emotional interest.

Yet my rational analysis of my goals is at odds with this.

Returning to gardening, I have found – YES! – something else to hate. When I am engaged in heavy physical labor, I tend to be extremely goal focused, and become incredibly rageful at the least little goal diversion, such as rain, clay-dense peat, a cramped workspace, or other such quotidian challenges.

I don’t enjoy spending time with myself in this state, and there’s little doubt in my mind that my lifelong avoidance of, you know, sports, housework, and exercise is due to the painful self-loathing that these helpless, vicious rages generate. I’m told, of course, that the rest of humanity does not experience that murderous anger whenever their adrenals spin up, but do not believe a word of it.

You do not want to spend time with me, nor I you.

four by

4×4 Kitchen Garden potential plans.

First bed built, not filled.

Back of the excel spreadsheet calculations forecast more-or-less $125 per bed construction costs. So far, before soil, I’m at $64. I estimated 24 cubic feet of soil for a 4x4x1.5 fill (4×4=16+(4×2=8)), at $3/cuft, $72+64 = 138. Looks like right now I’m coming in high.

Also, these prices seem TOTALLY OUTRAGEOUS.

Seen

On Friday as I began my drive home from work, I was at a stop light on Royal Brougham Way, between the stadiums and right across from the main entrance to Safeco Field.

As I waited, a big, balding man with shoulder-length white hair and a soup-strainer mustache, also white, came out of the stadium, holding a fistful of Mariners literature close to his actual vest and pocketwatch chain.

He was trim and tall in the jacket and vest of a grey tweed three-piece suit over jeans and black boots, sort of a cowboy look, sans hat. His boots were square toed and plain.

As I looked at him, I thought to myself, geez, that guy looks a lot like David Crosby. The light changed, and I dove off.

This morning, I as I read the paper, I noticed an ad for the June 6 appearance of Crosby Stills and Nash at Chateau Ste. Michelle, which features current headshots of all three musicians.

There’s no question: the guy I saw emerge from the ballpark was David Crosby, looking fit.

Now, I do hear tell that the Mariners have signed a Crosby lately. I wonder if it’s a two-fer.