Smithsonian Folkways

Smithsonian Folkways Dusts Off Titles With New Technology [NYT via MeFi]. Ooooh yeah baby. That’s the way to do it. Especially if as a label you have a huge backlist and archivists already on the case.

Interestingly, Spencer and I discussed this quite a bit back a couple years ago, when the depth and success of the LOC’s American Memory site became apparent. Spence combed through the digitized field recordings to select the songs that remain the base of the Wretched Bastards’ repertoire (such as Influenza of a couple days ago), wrote up some detailed liner notes that included links to other info about the tunes – as I recall, located elsewhere – and then burned some CDs.

Anyway, I saw that and had visions of Dover Music – you know, like Dover Books, reprints of public domain material repackaged for various purposes – collage, scholarship, so on and so forth.

Smithsonian Folkways has been one of my favorite labels for years now, specifically because of the breadth and strangeness of the music therein. I just love the idea of JIT music delivery for this long work of quixotic idealism.

I also love that the music belongs to you and me, under the terms of Moe Asch’s bequest of the label to the Smithsonian. The majority of WPA’s power projects have been cynically privatized by the bad mens, as I recall. I hope they won’t be dropping by Moe’s ol’ place twirling their moustaches anytime soon. They’ll take to raising the rent, wavin’ papers around, scarin’ the wimminfolks and gents of delicate constitution such as yours truly. Keep a pitchfork handy!

My word: googleization

Google buys Blogger: what can possibly be said about this that hundreds aren’t already saying?

It’s a milestone. Blogger service-disruption issues and ad-based hosting plan were significant determinants in driving me to investigate self-hosting… I may have service outages but I’m not helpless before them, and I can keep ads off my content.

An additional decision point was that I wanted to be absolutely clear in my publication title to the material I would post here – publishing it through a third party system, even a company as apparently altruistic as Pyra, leaves a copyright and reproducibilty hole that any decent publisher would not hesitate to drive a delivery truck through should the opportunity manifest.

Anyway, it’s big news, Google is without a doubt the most trusted online brand, and that goes far to mitigate many of the concerns that led to my selection of Movable Type. Does that mean the end for MT and other self-hosted blogging solutions?

I think it probably cuts their projected future growth, and might (if Ben and Mena see this) drive them toward developing a commercial licensing model. Last time I checked, they explicitly disavowed such a thing, specifically because they derive revenue from helping people set up the application. That’s practically the definition of short-sighted because of the way it limits their install base and bases revenue on labor rather than licensing.

Google’s extended services have been interesting to watch as they mature, as well. Google News, at first, was a fantastic aggregator of news, including news from oddball, unreliable sources that I was overjoyed to see – Middle-Eastern papers that have an explicitly critical agenda on U. S. foreign policy issues, propaganda papers, papers espousing religious kookery of all stripes, blogs, you name it.

Now, however, after much refinement, it’s lost a great deal of this diversity unless you force the issue. So instead of seeing a Palestininan paper and Ha’aretz covering the same events in that sad and bloody place, you just see the Ha’aretz link (I’m generalizing here, people, and the example is quite possibly inaccurate).

Obviously, this insulates Google from the criticism that followed the implementation of Google News, but I’m less well served by this – I want to see what people who DON’T write for a Euro-American audience have to say about things in the world, and Google News appears to have deprecated those sources compared to the early days.

This is true outside of world politics as well. As the online news editor for Cinescape, Google News was a great way to dig up stories that did an end run around the efficient publicity machine of the film studios. The studios so effectively dominate entertainment news that many days, it’s difficult to find a story about anything other than Hollywood stars and Hollywood films.

At first Google News was a reliable source for these unconventionally sourced stories – nearly as reliable as blogs. Now, however, the same stories, often from the same wire sources, are seen in Google Entertainment News as are on Yahoo!’s AP and Reuters feeds.

How will this homogenization effect – a predictable consequence of designing for-profit services to take advantage of economies of scale – affect blogging now that it’s entered the Googleocracy?

Under The Cloud

Yesterday’s entry was a faithful, unembroidered recounting of a dream I had Friday morning, February 14, while NPR was offering live coverage of the UN Security Council ‘debate’. Confrontation is a better word for it.

At any rate, I fell asleep just as Blix was speaking and awakened with a mighty shout of terror as the small child ran toward me crying.

In writing the piece I found it extremely difficult to keep focused on the task at hand – describing the dream – and keep my own personal politics out of the writing. I found it very interesting that Eric was reminded of the exploding baby vietnam anecdote.

I believe that means I successfully kept my personal politics out of the piece and kept it open to personal interpretation.

Additionally, since it’s a dream, there are some very clear elements in the dream that I can elaborate on.

I couldn’t find my wife, indeed, I was separated from her, because of an act of war (or something much like a full-scale aerial bombardment of the city I live in). Today, (Saturday) we kept a date to see The Two Towers one more time before it melts away from theaters. The film’s showing coincided with the peace march here, which is where I really wanted to be, felt obligated to be, and kept thinking about, squirming and sweating, throughout the whole film.

When I had discussed this with Viv, she had expressed, in the wifely manner, her disinterest in attending the march. That is to say, she would only say “If you want to,” while her body language forcefully indicated her absolute distaste for such a thing.

She is the child of people who fled a country in the wake of a socialist revolution, in fear of her father’s proclivity for talking back to, oh, cops and emigration officials. She’s been very effectively led to fear and doubt the motives of progressive activists in the wake of our WTO experience by nothing more than a lack of courtesy displayed toward her for her political ignorance on globalization issues. My paranoia, fear, and hatred of the political leadership of the United States, both the specific crew in DC at the moment and in general over the course of my life, have not improved her willingness to see me express my political perceptions in any meaningful way.

In response, I have actively choked off my outrage and political analysis, which, really, if you knew me personally in the past, is sort of like hearing me say I’ve stopped eating, or joined the church.

So we went to the movie.

The exploding children are as clear and direct a depiction of my feelings toward the idea of parenthood as might ever be concocted.

The other elements in the dream are all drawn directly from a mishmosh of things we’ve experienced via the media or directly. In my case, the happy, chattering crowd on the hillside is clearly the crowd awaiting the implosion of the Kingdome early in the morning of my birthday a few years ago, an event which obviously echoes another einsturzende neubauten that happened not too long ago.

I do recall in the dream believing that what I was witnessing was a punitive strike by the Air Force against Seattle, that we were the recipients of that “Shock and Awe” crap that surfaced in the media last week or so. Which raises a further issue – I fear the dissolution of our country under the weight of the divergent political perceptions that have been unleashed, and I don’t doubt that such a dissolution will end in fire and blood.

The Cloud

I stood on the steeply inclined hill’s sidewalk, looking into the center of downtown Seattle in the grey light of the late afternoon. The lowering clouds seemed darker than usual, as though something had blackened them, echoing the inky fogs of mid-century London. The air, however, remained free of the distinctive tang of burning coal and I rapidly forgot the oddly darkening cloud cover.

The crowd of people I was standing in was chattering and happy – friends catching up with friends and people looking for the hook up on their cells. I couldn’t tell what exactly had brought us out here on the sidewalk, spilling into the quiet street. It seemed that possibly there was an art opening in the building we were clumped before. I nibbled at my cheese and crackers.

I became disinterested in the crowd and determined that a glance into the gallery was in order. In the background, the lightly accented voice of Hans Blix murmured, barely distinguishable from the crowd’s blended chitchat.

Just as I stepped into the low, wide, blond-wood space, the sounds of happy chatter outside intensified and changed into exclamations, loud questions and conjecture.

I returned to the street to see that the darkening clouds over downtown appeared to be in motion – the heart of the clouds was distinctly darker than the edges, such as the clouds above our location. The center of the clouds had also begun to drop, very quickly, toward the center of the city. The edges of the clouds appeared to be cascading down at differing rates as though they carried loads of coal dust, from the center out, widening.

The shape of the downward-charging cascade was the same as that of one of the broad tornadoes of my mid-western youth – a quarter of a mile across and three quarters of a mile from ground to the cloud deck.

As the leading edge of the falling mass approached ground level, subunits of the collapsing coal dust rebounded, erupting upward again in showers that formed flat arcs. Curiously, just at the edge of visual acuity, the arcing curves seemed to reveal the winged forms of orca and dolphins for less than a fleeting moment before the cascades of fine matter resumed their hurtling journey to earth.

As the crowd exclaimed, Colin Powell’s voice had replaced that of Blix, murmuring yet with strident inflections that lent urgency to the crowd’s increasing unease. As the first of the columns touched the earth bright orange flashes illuminated the city followed seconds later by the cracking thumps of distant explosives being detonated.

The first of the buffeting shockwaves arrived with the sound, as the flickering oranges of the first explosions had become a continuous wave of flaring orange light. The shockwaves carried a bitter, stinging smell that immediately generated at first a wave of shrieks followed by painful, repeated coughing. A single voice cried “It’s acid! There’s acid in the air!” and the crowd turned to flee as one in pandemonium.

Behind them, the intensifying wave of explosions transmitted its sound and shock as well. The continuous roar of the wind and the overlapping thumps of the events became a wave of painfully loud white noise that obliterated the human voice. The city behind the orange and black cloud of acidic dust was rubble.

I turned back inside again to grab my camera and some other material that I had stashed in the gallery as we’d arrived. I sought my wife, hopelessly, unable to hear my own voice. The howling wind had reversed direction and was being drawn to the advancing perimeter of the explosions. A firestorm was forming. Seattle had become Dresden and Coventry, but I would not live to see the political repercussions of the event. A pity, I thought.

The wind and the shockwaves had made it nearly impossible to stand. Thankfully, the heat was being kept at bay by the suction. I noticed that a bank of televisions was tuned to a local news channel, covering the events and helplessly speculating, repeating what everyone in the city already knew. On the crawl at the bottom of the screen, the news appeared. Apparently, though some unknown means, the cloud was producing the spreading firestorm at the center of the city. Tiny human figures were walking out of the fire, apparently impervious to it, crying for their parents. Somehow large numbers of toddlers and preschool children had survived.

The black cloud and firestorm’s naissance and meaning remained unclear. Was it an act of god? Was it an attack? Had some secret weapon gone awry or had aliens arrived, parking over the White House and blowing it into flinders? No-one knew.

The news cut to footage of firefighters and police approaching a group of the toddlers. A flash, and the camera stabilized on a street strewn with limbs. The children were a part of whatever it was that was happening. Avoid children, any children, at all costs.

I ventured back to the sidewalk, now marked with acrid scorch marks from who knew what. The perimeter of the firestorm had stabilized, curiously, but the heat was extremely intense. I drew back around the corner of the building. I glanced back into the building, and I saw a child, crying, his clothing partially burned away and tears streaming down his agonized, soot-caked and raw burned face. He ran toward me, obviously crying out in extreme trauma and fear.

Duct Tape and Plastic!

I whipped up a new look for Ken over at the Illuminated Donkey a day or two ago… I think it’s an improvement, perhaps you will too.

Greg and Spencer and I had practice yesterday evening – seemed like we were both really rusty and coming along nicely. Three more evenings and we should have an idea of a setlist.

Here’s one of the songs we sang last night. I thought of duct tape, and wondered who sits on the board of Duct Tape USA, and are they on an advisory panel to the Department of Homeland Security? I suppose we’d need a FOIA request to make a definitive determination, but it’s my understanding that FOIAs are deprecated these days.

Influenza

(Sung by Ace Johnson, Clemens state farm, Brazoria, Texas, April 16, 1939.)

In nineteen hundred and twenty-nine, men an’ women sure was dyin’,
From the disease what the doctors called the flu.
People was dyin’ everywhere; death was creepin’ th’ough the air,
For the groans of the sick sure was sad.

It was God’s almighty hand; he was judgin’ this old land;

North an’ South; East an’ West could be seen,

Yes, he killed the rich an’ poor, an’ he’s goin’ to kill more

If you don’t turn away from your sins.

In Memphis, Tennessee, doctors said it soon would be,
In a few days influenza we’ll control.
But God showed that He was head, an’ He put the doctor to bed,
And the nurse they broke down with the same.

It was God’s almighty hand; he was judgin’ this old land;

North an’ South; East an’ West could be seen,

Yes, he killed the rich an’ poor, an’ he’s goin’ to kill more

If you don’t turn away from your sins.

Influenza is a disease, makes you weak all in your knees;
‘Tis a fever everybody sure does dread;
Puts a pain in every bone, a few days an’ you are gone
To a place in the groun’ called the grave.

It was God’s almighty hand; he was judgin’ this old land;

North an’ South; East an’ West could be seen,

Yes, he killed the rich an’ poor, an’ he’s goin’ to kill more

If you don’t turn away from your sins.

Columbia updates

Space.com noted yesterday that the blurry photo presented at a news conference last week, previously reported as stemming from Air Force equipment, was actually produced at an Air Force base by hobbyist-quality equipment, including a 3 1/2 inch telescope and a Macintosh over a decade old.

Spaceflight Now covers the revelation yesterday of a NASA email outlining disaster scenarios with a peculiarly apologetic headline, “What-if email explained“; the story covers both the agency reaction to the email (‘nothing to see here, move along’) and also covers a telemetry reading which reported landing gear deployment at 8:59:06 am, 26 seconds prior to the loss of communications with the doomed craft. The sensor reading is described as the result of a sensor failure rather than a factual record of landing gear deployment at 12,500 mph.

Other developments have included positive identification of the crew’s remains, a revised timeline released by NASA today, and a public call from NASA for more amateur images in the wake of yesterday’s news concerning the blurry ‘Air Force’ photo.

A reasonably thorough search for blogs that are specifically oriented to space and NASA today did not turn up any. I believe I need to dig deeper – surely there’s a blogger out there writing about some of these issues from the inside.

More Cardmodels

FRYER’S KINETIC CARD KITS – Paper engineering Based in the UK, this site offers one of my grails of cardmodeling – the paper clock.

The kit is based on a working seventeenth century wall clock. I once passed up a chance to pick one of these up, possbly from a different manufacturer, and have really regretted it since.

BONUS: Fryer offers a free trebuchet model as well.

Generally speaking the kits seen here are of a fairly high degree of refinement.

This post is the result of a desultry search for a free zep kit, not that I expect to turn one up.

Roeper pans IU porn

College porn stars film their own punishment is the headline to Richard Roeper’s hard-hitting big thumbs down on Shane’s World, Vol. 32, Campus Invasion, the pro-am porn film shot in Bloomington last year to the delight of media professionals everywhere.

Not to worry – it’s not a serious review of a porn film. Heaven forfend that the Sun-Times, or most papers and large circulation printed news sources, would ever run something thoughful about porn. After all, they tried back in the mid-seventies, and look where that got everybody.

But, as far as fish in a barrel goes, it’s pretty funny.

The film runs 2-1/2 hours, and for the most part it’s about as sexy as a military educational film about transmittable diseases. Basically you get porn stars with ugly tattoos, bad teeth and been-around-the-block-a-million-times faces mingling with drunken-fool college students in pig sty apartments. It’s mostly pathetic and depressing.

One mope who meets the porn stars outside his dorm invites them back to his room. Another guy, toting a backpack, allows the women to fondle him in public and then says, “Awesome! OK, I gotta go to class.” There are several party sequences, with the porn stars putting on shows for the crowd and occasionally hooking up with young men.

Go I.U.! We’re number one! We’re number one!

(Really, this is about as far as I go with the whole team spirit thing.)

STS-107 Mission emblem explained

sts107_patch.jpgSTS-107 Mission emblem and notes covers every little design element on the Columbia mission emblem, in excruciating detail.

The particular thing I’d been wondering about was, “What’s the odd alphabetic symbol in the center of the design?”

It’s the scientific symbol for microgravity.

via Deckchairs on the Titanic.

I was curious about this more more than casual reasons – for several years I designed the emblems and logos of a great number of local labor unions throughout the Pacific Northwest, and the particular needs of large, committee-driven organizations for visual symbology that can be worn is something that still interests me.

The level of detailed, unbelievably literal symbology in this instance is by no means atypical. It’s exactly what the market for such designs requires – every design element must be specifically accounted for and approved. It’s a peculiar and sometimes frustrating aspect of developing this sort of thing.