gasp

Oh, and by the way… it’s been rather busy here. I’ll try to do a wrapup, maybe sometime next week.

Jeunet

On Sunday, Viv and I went to a Cinema Seattle screening of Jean-Pierre Jeunet‘s upcoming film, A Very Long Engagement, which stars Audrey Tatou as a young woman whose fiancé fails to return from the trenches of the First World War, and sets about finding him. I saw the film for review, so I’ll skip the windbaggery here until the review runs. I can tease you, though: I liked it.

I experimentally used a Moleskine to take notes in the dark on the film; this is clearly not a cost-effective strategy, as in the dark one tends to write larger and less legibly. Next time it’s back to steno pads.

Jeunet was present at the screening and I was able to ask him a couple of decent questions.

I do have one gripe about the film which is utter airplane nerd trivia and therefore won’t rate in the review. It’s also a bit of a spoiler, so I won’t go into it in detail here yet. In essence, an airplane that appears in the film is explicitly identified as one of a series of well-known German models. The plane used in the film proper is clearly not the distinctive model it’s identified as. In fact, it appears to be a plane from the period between the wars. Only aeronerds will care, but it bugged the hell out of me.

I didn’t take the time to address this issue with the director, and I regret it.

Disclaimers

Textbook disclaimer stickers: “This book discusses gods. The existence of entities with supernatural powers is controversial, and many believe that myths, especially other people’s myths, are fictional. This material should be approached with an open mind, studied carefully, and critically considered.”

Hopkin Explained

Where to start?

As I noted here previously, sometime around September of 2003 some fliers appeared in Seattle, proclaiming the loss of what appeared to be a small boy’s frog. “Who took my frog?” the author asked, plaintively. Concluding with a determined “P.S. I’ll find my frog,” the fliers were noted and remarked upon by at least a couple of Seattle-based bloggers, Jeff Sharman and Samantha, whose last name I do not know at present.

As Jeff notes, sometime in September 2004 the flier was introduced to an online image sharing community, where it quickly became the subject of a still-growing set of visual riffs. An enterprising individual soon registered the domain lostfrog.org, where new contributions continue to be posted. Around this time, another high-traffic community website, MetaFilter, hosted two different threads concerning the frog flier and subsequent images. This image of the flier comes from the lostfrog.org site.

lost.jpg

In one of the MetaFilter threads, an enterprising researcher established that Hopkin was a toy distributed as a freebie by the McDonalds corporation. Others noted that someone had called the family and verified that the frog was indeed a toy. Intrigued, I went back and looked at the initial postings that Jeff and Samantha had made, and realized that there was a high likelihood that the person who made the fliers lived in my neighborhood.

I did my own research then, and quickly found one of the toys on eBay for about $5.00. Having purchased it and established where the flier artist lived, I cast about for my next step. As it happened, I received a call from an editor of mine, who was establishing a new relationship with a community paper that covers the neighborhood where the family lived. I ran it by her, and was given the go-ahead to pitch a story to the editor-in-chief of the neighborhood paper. We got in touch, and she green-lighted the idea.

hopkin_03.jpg

I’m in the middle of working on a big pile of stories for another publication, so I added the family to my list of calls each day. Initially, I spoke with a female child, and requested a call back from her father; then I spoke with an elderly woman, and then an adult female. In no case did I ever get a call back; this didn’t greatly concern me.

Finally, Sunday afternoon, I picked up the phone and dialed the family’s number; to my surprise, the father was there. Here is more or less what he told me.

First, he was not interested in appearing in a neighborhood newspaper story about his son’s lost frog and the internet. He gave me permission to write about it here, however. Out of consideration for his concerns, I have chosen not to explicitly identify the family.

hopkin_04.jpg

The person who drew the flier is a sixteen-year-old boy who suffers from autism. His father was unaware that his son may have made more than one batch of fliers (it appears that new fliers were hung in May of 2004). He did know about the loss of the frog and I believe that he knew about the first batch of fliers.

He also did not want me to give the frog to his son. He’s forgotten it, he told me. Bringing it up again will probably only bring up a bunch of bad memories.

He was quite unaware of the interest in the frog and the flier on the internet. He reiterated that he did not think it would be a good idea to show the sites to his son.

hopkin_01.jpg

He was pleasant throughout our conversation. But he was quite clear and firm in his opinion that reminding the child of his lost frog, even to the point of restoring it to him, would be inadvisable for the boy. On his behalf, he asks that no-one send other Hopkins to the child. I was happy to hear that apparently I have been the only person calling them about the frog. Left unstated was the suggestion that future calls will be unnecessary.

So, then, that’s the resolution. Hopkin was lost by an autistic adolescent; this explains something of the sense of determination that comes through the initial flier. His family requests that no Hopkins be sent and that people seeing the Hopkin flier should not call with frog news, or, as I did, to find out what the story behind the flier is.

hopkin_02.jpg

It’s a different ending to the story than I expected or had hoped for, certainly; but on another level, it means that Hopkin will remain forever lost, justifying and extending the mounting need for Hopkin-related photoshop tomfoolery. Perhaps someday the flier’s author will stumble upon lostfrog.org, or the tee shirt. I simply cannot imagine what that moment of perception might be like.

I hope this blog post satisfies some curious people. I am glad to know the backstory now, and hope this data proves useful to you as well.

UPDATE, July 1, 2005: Seven months later, this post is still generating interest and links from large collaborative sites. Every other month, on average, someone links to it from a high-traffic link-collector, and I get another day of several thousand site visits to the page. Just today, MetaFilter, a site in which I actively participate, linked to this page again. A commenter there chucklingly suggested I should link to the thread, and so I have.

Another commenter in the MeFi thread is curious about a link in a comment posted here after the initial publication. In that link, citizenkafka recounts calling Terry’s mom about two weeks before I did, and mentions a) Terry’s mom knew about lostfrog.org and b) that Terry has a new frog.

I did not speak to Terry’s mom, but to his dad. The family is of an ethnicity that often emphasizes patriarchy and the adults clearly speak English as a second language. I didn’t want to step on toes by grilling Mom or Sis or Granny.

Terry’s dad told me what I recount – he was unaware of the web’s interest, and so was Terry, and that was a good thing as far as he was concerned. I specifically asked if other people had been calling, and he indicated that no-one had.

However, not mentioned in the thread comments is yet another story of someone calling Terry’s family. In this story, a forum participant (possibly affiliated with the very first site to post the image) called and spoke with Terry’s sister. I can’t recall the details of that interaction, but the poster noted that he was ecouraged not to locate and give a new frog to Terry.

Finally, Terry’s dad did tell me that he has a new frog. Although I don’t recall this explicitly, I believe I must have asked if the frog was called Hopkins. Terry’s dad emphasized that the frog was different. I was surprised on reviewing this post that I did not mention it directly. Presumably I didn’t think it had bearing on Hopkin.

I believe that in all probability the other members of the family just never mentioned the calls regarding the appearance of the flyer on the web – remember that Terry was actively posting these flyers for at least six months, and that they included a phone number. Others must have called before the web got hold of it.

So in my mind, the different narratives associated with Terry’s family boil down to internally consistent perspectives, despite the apparent contradictions. It’s possible, of course, that Terry’s dad actually was aware of the internet hubbub but chose to deny it in order to keep our converation brief. Of course, over time it becomes more likely that the family will become aware of it, as well.

Craig Thompson Awards Sweep

In my inbox today is a press release from Portland-based Top Shelf Comix, properly tooting their own horn on a first time eent in the history of comics. Portland-based comics author Craig Thompson swept the comics industry awards this year, winning every award he was nominated for in recognition of the stunning accomplishment of his second graphic novel, the brick-like, 500-page opus Blankets.

Here’s what the press release has to say:

Top Shelf would like to congratulate Craig Thompson for doing something that’s never been done in the history of comics: Sweep the Eisner, Harvey, and Ignatz Awards in a single category — and he did it twice! BLANKETS not only swept the awards in the “Best Original Graphic Novel” category, but Craig took home all three “Best Cartoonist/Outstanding Artist” awards as well. This is a rare feat indeed! If you haven’t read BLANKETS yet, you really need to see what all the fuss is about. You’re in for a real treat.

I couldn’t agree more. I loved Blankets when I read it last fall, and of all the interviews with comics people I did last year, interviewing Craig about this work was easily my favorite interviewing experience. It’s rare to have the opportunity to discuss a work of genius with the creator just before the work begins to develop a reputation. It was a chance to talk with a young man who was aware of having accomplished something special but who had not yet begun to incorporate others’ appreciation for the art into his expectations and understandings of how the world looks at him. He struck me as having a solid head screwed on his shoulders and I hope to see further amazing things from his pen.

I ran the whole long Craig Thompson interview here at the end of last year and also a brief conversation I had with him about Portland compared to Seattle as a comics-creator community.

Congratulations, Craig! Do it again!

New Voyage

Apparently I haven’t been paying close enough attention, as in October the Star Trek: New Voyages project released their second episode, In Harm’s Way. Regrettably, it seems they also have not been paying attention, as it’s impossible to ID the content from the URL or storage structure they have implemented at the moment. Presumably, someday, a more effectively designed storage mechanism than a bunch of numbered zip files in a directory named FILES will be a technology within the Federation’s grasp.

Snarking aside, I look forward to seeing this.

UPDATE: OK, now I’ve seen it. Hoo boy, what an incoherent plot. I mean, I was able to follow it; but that’s because I’m a big ol’ Star Trek geek. The overall look of the thing pretty darn slick, I have to admit, enough so that the uneven acting quality is a bit obtrusive. That and the possibly accidental reliance on esoteric Trek lore knowledge to tie the plot together may have the effect of limiting the appeal of the piece.

It looks to me as though they ended up with about 90 minutes of plot and simply cut the exposition, leaving certain events in place without clear explanation. All that and a time-travel based plot, too. I will show this to a non-Trek fan to get a baseline, though.

The other thing that bothers me after first viewing is the weird interaction between hyper-consciousness of detail (seen in the obsessive attention to the look of the sets, for example) and complete rookie lapses of attention to detail. The examples that come to mind are a) the unfortunate use of vertically-scaled fonts and poor linespacing for the titles, and b) in the sequence when the Farragut dives toward the surface of the Gateway planet, suddenly, we view a reverse-angle of the ship with the surface of the planet in the background. There are others, but those two made me cringe.

In a less-polished production, the lapses might look humorous or intentional; here, they distract from the ambitions of the series creators, I think, by jarringly underlining the amateur status of the project. It’s a hard row to hoe. But the only way to meet the high aspirations these folks have set for themselves is for them to be absolutely merciless in critiquing the production. Nothing would please me more greatly than to no longer find nits to pick.

Nonetheless, kudos to the New Voyages cast and crew. Keep it up! I’ll be here waiting!

Yuri

A music video concering Yuri Gagarin’s orbital flight, titled 1961 and executed with magnificent panache. Via Jake In.

(I’m making up nicknames for him, OK? Jake is boring, J-Kin don’t work, Jer K is an obvious pass. See? There will be more.)