More Dreams

Lat night, I looked out of the windows of a building that exists only in my mind, at the windows of another building. The facing wall was old, and brick, and the windows set in the brick were dark. Multiple layers of glass blurred the reflections I saw in them.

The curious thing was that the windows did not reflect the viewer’s image, peering from the facing windows. Rather they reflected two black and white photographs, images I’ve never seen previously. I only recall one clearly, and it appears to be an image from a series of pictures found in my sister’s camera after her death. The series of images shows her taking candle-lit self-portraits in a mirror; the film containing these images was developed a month or so after she died. The photographs I dreamt of do not appear on the film roll, and presumably my subconscious whipped them up in response to the ghostly time of year and Suzy’s incipient birth anniversary, October 28.

On aspect of the images that was a bit odd was the presence of a white-handled Xacto knife; it’s a knife I have seen and held in real life. I don’t recall if it was among Suzy’s possessions or not. I do know that at times she engaged, like many depressed adolescents, in cutting; it’s possible that she had taken up the practice again at the time of her death.

I’ve been puzzling over this a bit today and I think the dream may also have been prompted by the death, in Boston, of a young college student in the street celebrations that followed the Red Sox win in the American League playoffs. The young woman was hit in the eye by a pepper-ball pellet, a one centimeter diameter plastic ball used as rounds in contemporary crowd control by police. I myself have scars on my ass and thighs from being struck by this kind of round during the events surrounding the WTO meeting held here in Seattle a few years ago.

Contrary to published manufacturer’s claims that the pellets do not break the skin, the pellets that struck me tore through three layers of clothing before opening bloody, three-quarter inch sores on my ass and legs. To the best of my understanding, these pellets were being used in accordance with the manufacturer’s operational training, which specifies that they should be directed at the lower body of persons in a crowd being herded. In the Boston fatality, it seems that the officer who fired the weapon into the crowd was not aiming low. When you own the equipment, you will certainly find the opportunity to use it. Each use increases the possibility of misuse.

Following her death, the Boston Herald, a tabloid-format paper, published a Friday edition with a cover photo of the young woman being tenderly cradled by her companions as she dies. The cover image ignited a firestorm of criticism and was followed up by a Saturday apology from the newspaper. I remain puzzled by the controversy. I found the image tragic and beautiful, in that it clearly records the fact of the love the dying woman was receiving. I dearly wish that I had such an image of my sister in the moments after her fatal impact on the station wagon windshield.

Meet Jack Chick

Jimmy Akins, a Catholic Evangelist, attends the world premiere of Jack T. Chick’s new film and meets the reclusive cartoonist. Of course, Catholics are the tools of Satan, in Chick’s worldview. It’s not hilarity that ensues, really, but I still found this fascinating. [via Monkeyfilter.]

Gathering Blooms

Max Hunter Folk Song Collection, at Southwest Missouri State University.

An old fave, forgotten due to sloppy bookmarking. Rediscovered when searching for versions of that great old folktune “Gathering Flowers for the Master’s Bouquet,” penned by Marvin Blumgardner.

I suspect this of being a nom de guerre considering the song’s subject matter and central metaphor. The lyrics begin, “Death is an angel sent down from above, gathering blooms for the one that he loves*” and continue in that piously morbid vein for a tidy 2:54. The song has been recorded by several old hands (including the fantastic version by the Stanley Brothers that was my introduction to the tune).

Of course, “Blumgardner” could simply be a transcriptionist’s slip, considering that Marvin Baumgardner is also credited with the song, in more authoritative contexts.

*Actually, that’s how I recall the lyrics. In reality they run: “Death is an angel sent down from above; sent for the buds and the flowers we love.”

Dreams

I had a dream that I could see Mount Saint Helens from a public park here in Seattle. The mountain was steaming as it has been but also burping up rocks and ash, which you could see flying into the air and dropping down the sides of the mountain. Oddly, the mountain was visible through a break in a mountain range. More mountains appeared behind the volcano, in contrast to the volcano as it appears in real life.

The park itself was on a gentle slope, and seemed to be based on some of the pocket-sized parks built on scraps of land I’ve seen in cities like Boston and London. It was a traffic island type, an oddly shaped sliver of land defined by two converging streets. The surface of the park was contained and defined by a roughly built terrace of yellowish, flinty granite. On reflection the stonework appears to have been drawn from the now-shuttered ranger station at Mount Baker we visited this summer.

At the narrow tip of the park, the statue of George M. Cohan that resides in New York’s Times Square looked out over the shallow Seattle valley.

Le Monde de Franquin

Exposition Le Monde de Franquin – Cité des Sciences, a companion site for an exhibition exploring the technological imagination of one of my favorite cartoonists, the incredibly hilarious André Franquin. [via The Cartoonist.]

Franquin was one of the giants of francophone comics and cartooning, but has only rarely been published in English. Naturally enough, the few pages of his work I’ve seen in English were published in the late eighties in a Fantagraphics comics anthology.

MJT

Tuesday night at dinner, the subject of what to do while in Los Angeles came up.

I described a few of the interesting sights found at the celebrated Museum of Jurassic Technology to our guests. The Museum has been the subject of a book, and a radio piece, and apparently published a book cited in this 1995 issue of Wired. The book covers an exhibition that I have seen, “No One May Ever Have the Same Knowledge Again: Letters to Mount Wilson Observatory 1915-1935,” a collection of the writings of cranks over the long years to the Mount Wilson Observatory. Others have written or posted about the place as well.

Kyle Marquis, in particular, did the legwork, unearthing this tale of a visit.