Poker-playing Dog Artist gets his due

Artist’s Fame Is Fleeting, but Dog Poker Is Forever

Cassius Marcellus Coolidge was an entrepreneurial whirlwind with a painter’s eye who seemed born to his nickname, Cash. After leaving the family farm here in the early 1860’s, he bounced around the northeastern United States and Europe, trying his hand at myriad trades: he ran a drug store, founded a bank, painted street signs, drew cartoons, taught art.

His creative genius was evident, but scattershot. He wrote a comic opera about a mosquito epidemic in New Jersey. He designed comic cut-outs — “Fat Man in a Bathing Suit,” for example — for people to stand behind and smile for the camera. And, at some point, he hit upon the idea that would define how he is vaguely remembered today: painting everyday scenes in which dogs behave like human beings.

Having used eBay as a research tool to ID this fellow in order to procure one of his finer prints as a wedding present, I couldn’t be happier to see this story in the NYT.

Frontline and Nova

Anybody else noticed the astonishing material on Nova and Frontline this past year? Last night’s Frontline was about the siege in Bethlehem, which ended, um, on May 22!

The most compelling show to date in this season of Nova, was, naturally, “Why The Towers Fell“, which was a truly fascinating look at the physics of the 9/11 disaster. The conclusions presented on the show were the early conclusions I recall reading about in February and earlier, but the oomph of visual info made it that much more compelling.

Frontline’s season, however, has been nothing short of fantastic in both timeliness and depth – in particular, the Israeli-based producers the show has been able to hook up with have been providing absolutely remarkable coerage from both sides of the unfolding disaster there – as noted earlier in this post, the production turnarounds for this sort of news documentary has been really amazing.

Highlights for this season have included “Inside the Terror Network“, “Battle for the Holy Land“, and “Terror and Tehran“. I also recall a show which focused on the Kurds and Iraq in very early spring, but don’t know if that was on Frontline.

Additional topics covered include American meat production (the news is, well, bad: the industry is so centralized that outbreaks of regrettable food are pretty much unavaoidable), “American Porn” (hey! How’d I miss that?), and “Dot Con“.

As you have undoubtely figured out, these shows all feature sweet, sweet websites backing them up. The 2001 season also features the same sort of timeliness and topicality.

Anyway, I’m glad it’s on.