Kentucky and Prine

Out to dinner this evening, I was surprised and pleased to encounter a salt-cured Kentucky ham on offer. I leapt at the nearly forgotten taste. On arriving home I was pleased to note that American Routes is devoting this weeks’ number to the Kentucky-and-Chicago bred songwriter John Prine, whom I think of as an Austin-school player.

I first came to appreciate the man’s work while working at the Runcible Spoon, around 1986. A tape of vaguely irritating country-styled nineteen-seventies singer-songwriter folk morphed under constant listening into a shimmering masterwork of mordant wit. The handwritten name on the tape was ‘John Prine.

The song that really caught my ear, I learned years later, is called “Sam Stone,” and appeared on the first record that the singer released.

Cringely on Apple iTV

Cringley has some interesting things to say about Apple’s announced iTV strategy. He makes a big deal out of using iTV to bring video-based iChat to the living room TV set and talks some trash in Redmond’s direction.

What’s funny about this to me is that I have my Mini set up with my old Firewire iSight for just this purpose, and we use it to talk to my folks at least once a week. It works great, but it’s not a mindblowing extension of the technology by any means. Despite that, I think Cringley’s argument, that Apple is aiming to capture the base platform for convergence, possibly by integrating their tools into the sets themselves, makes a great deal of sense.

Picking at a scab

I hear tell my honorary mentor, The Best Bus Driver in the World, is coming around to my point of view regarding music produced with minimal amplification and internal electronics. I’m glad to hear it – the qualities I hear in obscure field recordings and teenage punk rock singles draw me to the genres as if here was no distinction.

MFT sweetness!

Perusing the ever-expanding wonders of Musical Family Tree, I came across this amazing recording of the Zero Boys live at Ricky’s Canteena in 1983. Rat Rondell intros the band. I was there and boy was it a show. The band must have been right on the verge of recording Vicious Circle, I think. The sound on stage is nearly exactly the same as that on the influential record, also available for listening at MFT, it seems, in a live performance recorded in 2005.

I have a quickly populated playlist at MFT that includes a lot of records or recordings by people I am friends with. I have happy memories of listening to most of this material years ago and this site always amazes me with the depth of it’s archive. I mean, how incredible is it to idly jump on the internet and in three clicks of a mouse discover a recording of an all-ages hardcore punk-rock show recorded in 1983 and attended by about thirty people, one of which was me?

Say, that reminds me: Jon, where are you in your Vulgar Boatmen exploration?

Fair Miss in the Garden

I happened to hear a great old-time tune from my iTunes pile the other day, “Fair Miss in the Garden,” by Roscoe Holcombe from Mountain Music of Kentucky, a fantastic collection of field-recorded tunes laid to tape on the porches of Hazard County in the mid-fifties. To my aggravation, nor Google nor Digitrad unearthed the lyrics. Adding to my frustration, I have not yet found any references to the song but the two-or-so released versions. The song, in form and language, sounds very much like a Childe ballad, medieval ballads that survived into the twentieth century in various backwaters and which form the foundation of the cult of authenticity in folkloric circles, to my personal derisive amusement and pseudohistoricist fascination.

Ah well, I’m reduced to the same technique I employed some twenty-odd years ago in seeking to lean the lyrics of songs by the commercially unsuccessful likes of The Gizmos or the (1980s) Ramones. I’ll hafta transcribe ’em.

EyeDrops

In the continuing saga of ironing out the bumps in the deployment of the Mini and the EyeHome in the living-room A/V stack, even after the downgrade, the EyeHome has an irritation habit of dropping the audio, stuttering in the annoying manner familiar to internet audio stream listeners. The troubling aspect of this is that the datachannel should be much larger than the amount of data running to the box.

The current setup has the data running through the Mini from an external HD via USB 2 and thence to the EyeHome via 100-base Ethernet. The EyeHome then runs video out via S and audio via optical. Still, it takes a noticeably long – and aggravating – period of time before a song loads and begins to play, and inevitably, it stutters. This is less impressive performance than the wireless streaming device I inherited from Manuel, and much less impressive than the little iTunes/printer-server/ airport widget I was initially using to stream. Currently that’s a dedicated printserver but if it can do optical out it might be a better device for audio.

Playing the audio directly from the Mini via iTunes is also, surprisingly, producing some audio stutter, and looking at RAM usage may provide a clue – I did not upgrade the box from the vanilla 256MB config and EyeHome is reported as requesting a staggering 1.5GB of virtual memory, along with an ever-increasing number of threads (25 last time I checked), making me strongly suspect the application of some not-very-neat memory usage techniques.

An additional annoyance when playing audio directly via iTunes is the hushed line-level output of the headphone mini-jack. I am nearly sure that there are iTunes plugins to address this issue.

Oddly, video playback via the device is seamless and stutter-free, despite the memory usage issue. I wonder if it’s a function of the size of the asset bases – less than 100 media files in the video-playback archive versus about five thousand in iTunes.