6 mb 1.8 mb, 320 x 240 mpeg, no audio. Control-click to download, looks like I have Apache set to not stream mpegs or something.)
As I mentioned, Viv and I (and Spencer) were out of town this weekend. We were on the Olympic peninsula, in an ill-advised attempt to visit the Hoh river valley on the rainiest day of the summer. We failed.
Instead, we gave up fighting the rain in Port Angeles, and eventually moseyed over to stay at the Crescent Lake campground, Fairholm, on the far east end of the lake. (Cabins and a lodge are also available – oh man, I bet a winter stay here would be something.) On the north side of the lake is a flat, wide trail, a converted railroad after which the trail is named, the Cedar.
Partway along the trail is a large railroad tunnel, filled with ties and collapsing within.
At 1 am, Spencer and I walked down to the lake and watched cloud formations over it move around. The moon rose over a high shoulder of the steeply forested surrounding hills, and I saw a bright green meteor flash in, arcing from west to east.
Sadly, we did not get much hiking done, due to extreme dawdlesomness, but on the way back we drove up to Hurricane Ridge for the obligatory best picnic table in the northwest, where we were accosted by the usual menacing array of deer, chipmunks, and mid-size birds. Our meal was closely supervised by two regally nonchalant adult ravens, each the size of a small black pony. The deer and assorted other wild hooligans have been my acquaintances in that spot for years; the ravens were something quite new.
Crescent Lake is currently in the local news, on and off, for diving recovery projects. Years ago, the lake was also the site of a celebrated, grisly murder mystery that began with the recovery of the saponified body that became known as The Lady of the Lake, a tale I sadly neglected to learn before camping. Next time, I get to tell the ghost story to end all campfire ghost stories.
I do have loads more pictures. In fact, an overwhelming amount; in addition to Viv’s new camera I brought both the old Kodak and the tiny, Lomo-esque Veo, which I think I am getting the hang of. It has a truly irritating interface and settings are totally transient, so you can’t assign a default mode for it to boot into, but the lens produces shading and hazing that are clearly in the Lomo tradition (not to assert that the Veo has any of the magic of the eastern European wonder, mind you).
The film above was iMovied from bits of 10 to 30 second silent mpegs captured with the camera. Amazingly, I filled the card up with stills and clips on one AAA battery.