elphless

Dammit! I just hosed a full gig of pics from the Elph, AGAIN! That included basically all of the pictures and movies from the move. Dammit! Now I’ll never see the old place again.

Moorings

A comment appeared in my queue this morning from one Nouri, The Moor Next Door, an Algerian blogger living in the US. Nouri was commenting on my cryptically-titled 3108, an entry here on locating blog-world resources which included a longish stab at outlining some points of interest concerning my relationship with the country of Algeria.

(The title is a puzzlin’ reference to attempting cross-linguistic blogtrawling; 3 = B, 1 = l, 0=O, 8=g.)

Nouri’s blog is a current-events and commentary blog about Algeria, something I’ve longed for. Understanding and keeping track of events and politics in Algeria via the usual suspects in the US media is quite challenging, partly a result of the terrible civil war fought there in the early nineties.

I suppose American readers will in generally have been most exposed to Algeria via the works of the French author Albert Camus, who was born in Algeria and who set both of his best known works in the Algieria of the late colonial era. Camus also wrote short stories set in French North Africa, some of which when I last checked had never been translated into English. This seems to me an oversight.

As I read Camus, although the works are generalized to reflect the writer’s contemporary intellectual milieu of existentialist thought, the impetus behind the work appears to be colonial relations itself. The Guest, linked above, for example, turns on an interaction between a schoolteacher and an Arab who has been dropped off by a cop at a frontier school, instructing the teacher to take the Arab to a prison.

The story is recognizably a Western, and is easily imagined as a John Ford movie – John Wayne making a brief appearance

at the school to drop Jay Silverheels off into the custody of Jimmy Stewart. Throughout the story, Camus presents the encounter of the icons of civilization with the vastness of the landscape and the precolonial inhabitants as inherently absurd and without positive outcome.

This theme – the unexpected consequences of the encounter between Europe’s colonizing cultures, the precolonial people, and the resulting hybrid culture that emerged in the wake of the end of the colonial era – remains, unsurprisingly, a major area of personal and political investigation for those countries affected by it, as Nouri’s long post, On Historical Maturity, illustrates.

A few entries prior, there’s longish critical attack on Robert Fisk which examines uses, mis-uses, and perceptions of postcolonial theory, winkingly and appropriately entitled L’etranger, a direct reference to Camus. In this entry, Nouri makes an offhand reference to Frantz Fanon, a French Martiniquean who worked as a psychiatrist during the Algerian war of independence and published a seminal anticolonial work, The Wretched of the Earth, which was highly influential throughout the sixties in many countries dealing with the struggle to define a postcolonial future. The work may also have influenced the speeches and thought of Malcolm X, who near the end of his life began using the language of anti-colonial analysis to describe conditions he saw in the United States.

Immaterial

It seems likely that someon somewhere has recognized that I’d enjoy Philip Pullman’s His Dark Materials trilogy, but I always avoided them, understanding the deistic reference of the title to cast them as marketing artifacts along the lines of Left Behind.

This week’s amusing New Yorker profile of the author makes it clear I’ve misminded the meme. Should I ever read another book, I’ll keep these in mind.

i vid

Yesterday I gave my parents a real-time video tour of the house and grounds via the magic of ‘high-speed’ internet and wifi. I must be a seriously negative creep because instead of marveling that we could do such a thing, I most have thunk on how aggravating and infuriating it is to deal with thousand-dollar technology that works as well as the two-dollar technology of 1968, at least as I recall it. Except the whole realtime video thing. And the two-dollar thing.

This of course fills me with well-warranted self-loathing, especially when I reflect on the fact that the easiest thing to cobble up on moving in to the new place was a Silvertone Victrola cabinet containing one (1) five-year-old iBook with an Airport card and one (1) set of high-quality powered spruce-cone computer speakers. I have been using this nightmare hybrid to stream in roughly equal proportion music from my 20-odd gb stash, near-real-time radio from local NPR gabfest KUOW, the same from old-home-place dusty classics champeen WFIU, and assorted other public radio streams including local cooler-than-thou woo-woo yipniks KEXP and also-old-home-place and shaggy enough to get me to relax faves WFHB.

Still, it’s the classical radio in front of the fire to which I’ve turned the most. Technology sucks.

Blog chatter

Viv and I are breakfasting at the W this morning, and the chatter at the next table appears to be about some sort of blogging start up.

I’d take a picture, but I won’t.