Dizzy with sleeplessness

Please accept my sincerest apologies for my shift to linkmongery here of late. Non-blog writing responsibilities are all coming due at oncet and I’m having to put all my words over there.

That said, sometime yesterday, this site passed the 150k lifetime visitors mark. Hopkin continues to ripple out into the world; yesterday a large number of visitors began arriving from European addresses. Watching the traffic is quite fascinating and makes me wish I had the time to do proper traffic analysis. As it is, when I do write about it, my evidence will be largely anecdotal. If I claim a number of vistiors from off-planet addresses or with six-part IP addresses, rest assured, I’m playing the literary game of the unreliable narrator.

Support

Recently, I noticed a line item on my phone bill for “DSL 640k,” which puzzled me, as I was pretty sure the last service upgrade notice I had on my DSL was to 320k. This morning, I found myself with two seconds to rub together, so I called Qwest to find out what the deal was.

Amazingly, the experience was fast, fast, fast and smooth. Apparently my 4-year-old DSL modem is too old to negotiate the linespeed supported by the DSL already laid to the house; so a new modem is on the way and a service upgrade accompanies it, at the same rate as my current bill.

If I understood correctly, the new linespeed’s theoretical max is going to be 1.1Mbps; I did not catch whether this was symmetrical or not.

So, in a week or so… There may be some downtime here.

Neko

Last night we went to see Neko Case at Neumo’s.

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Click the pic for more blurry pix. I shot a fair amount of video, too. I’ll link to the clips here; they are all in quicktime format.

The show opened with the out-of-place on the bill Dexter Romweber, a true southern madman, who was in fine form. Despite this, his appearance befuddled the crowd, who were not expecting a guitar assault of such intensity. Romweber’s best known project is the Flat Duo Jets, and here is an interview with him about his career.

Here’s a 25-second clip (2.3mb).

The second band (and Neko’s backing band) was Canada’s alt-country brother act, The Sadies. They are technically polished, but the difference in aesthetic between Romweber and their approach was too great, for me, and in Romweber’s favor. The cool precision of the brothers’ vocal harmonies and dual-lead sound is deeply rooted in rock acts of the early seventies.

Here is 47 seconds of a Sadies song (4.4mb).

I shot a lot more video of Neko than of the other bands. We were right up front for the whole show, and it was lovely. I should note that the polish of the Sadies is an appropriate setting for Neko’s towering, transcendant voice.

Here are the clips:

A false start (4.6mb, 48 seconds).

The opening song (22.2mb, 3m54).

Third clip (12.3mb, 2m10).

Fourth clip (.6mb, 7 sec).

Fifth clip (3mb, 32 sec).

First encore (21.5mb, 3m46 ).

Second encore (12.8mb, 2m15).

I haven’t taken the time to track these down by song title, sorry. It took long enough to rotate them and color correct them in Final Cut Express. If one of you lovely interauts wants to, I’ll happily edit the post to add the info.

Say, I should probably look into BlogTorrent for this stuff, eh?

Hopkin Explained

Where to start?

As I noted here previously, sometime around September of 2003 some fliers appeared in Seattle, proclaiming the loss of what appeared to be a small boy’s frog. “Who took my frog?” the author asked, plaintively. Concluding with a determined “P.S. I’ll find my frog,” the fliers were noted and remarked upon by at least a couple of Seattle-based bloggers, Jeff Sharman and Samantha, whose last name I do not know at present.

As Jeff notes, sometime in September 2004 the flier was introduced to an online image sharing community, where it quickly became the subject of a still-growing set of visual riffs. An enterprising individual soon registered the domain lostfrog.org, where new contributions continue to be posted. Around this time, another high-traffic community website, MetaFilter, hosted two different threads concerning the frog flier and subsequent images. This image of the flier comes from the lostfrog.org site.

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In one of the MetaFilter threads, an enterprising researcher established that Hopkin was a toy distributed as a freebie by the McDonalds corporation. Others noted that someone had called the family and verified that the frog was indeed a toy. Intrigued, I went back and looked at the initial postings that Jeff and Samantha had made, and realized that there was a high likelihood that the person who made the fliers lived in my neighborhood.

I did my own research then, and quickly found one of the toys on eBay for about $5.00. Having purchased it and established where the flier artist lived, I cast about for my next step. As it happened, I received a call from an editor of mine, who was establishing a new relationship with a community paper that covers the neighborhood where the family lived. I ran it by her, and was given the go-ahead to pitch a story to the editor-in-chief of the neighborhood paper. We got in touch, and she green-lighted the idea.

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I’m in the middle of working on a big pile of stories for another publication, so I added the family to my list of calls each day. Initially, I spoke with a female child, and requested a call back from her father; then I spoke with an elderly woman, and then an adult female. In no case did I ever get a call back; this didn’t greatly concern me.

Finally, Sunday afternoon, I picked up the phone and dialed the family’s number; to my surprise, the father was there. Here is more or less what he told me.

First, he was not interested in appearing in a neighborhood newspaper story about his son’s lost frog and the internet. He gave me permission to write about it here, however. Out of consideration for his concerns, I have chosen not to explicitly identify the family.

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The person who drew the flier is a sixteen-year-old boy who suffers from autism. His father was unaware that his son may have made more than one batch of fliers (it appears that new fliers were hung in May of 2004). He did know about the loss of the frog and I believe that he knew about the first batch of fliers.

He also did not want me to give the frog to his son. He’s forgotten it, he told me. Bringing it up again will probably only bring up a bunch of bad memories.

He was quite unaware of the interest in the frog and the flier on the internet. He reiterated that he did not think it would be a good idea to show the sites to his son.

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He was pleasant throughout our conversation. But he was quite clear and firm in his opinion that reminding the child of his lost frog, even to the point of restoring it to him, would be inadvisable for the boy. On his behalf, he asks that no-one send other Hopkins to the child. I was happy to hear that apparently I have been the only person calling them about the frog. Left unstated was the suggestion that future calls will be unnecessary.

So, then, that’s the resolution. Hopkin was lost by an autistic adolescent; this explains something of the sense of determination that comes through the initial flier. His family requests that no Hopkins be sent and that people seeing the Hopkin flier should not call with frog news, or, as I did, to find out what the story behind the flier is.

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It’s a different ending to the story than I expected or had hoped for, certainly; but on another level, it means that Hopkin will remain forever lost, justifying and extending the mounting need for Hopkin-related photoshop tomfoolery. Perhaps someday the flier’s author will stumble upon lostfrog.org, or the tee shirt. I simply cannot imagine what that moment of perception might be like.

I hope this blog post satisfies some curious people. I am glad to know the backstory now, and hope this data proves useful to you as well.

UPDATE, July 1, 2005: Seven months later, this post is still generating interest and links from large collaborative sites. Every other month, on average, someone links to it from a high-traffic link-collector, and I get another day of several thousand site visits to the page. Just today, MetaFilter, a site in which I actively participate, linked to this page again. A commenter there chucklingly suggested I should link to the thread, and so I have.

Another commenter in the MeFi thread is curious about a link in a comment posted here after the initial publication. In that link, citizenkafka recounts calling Terry’s mom about two weeks before I did, and mentions a) Terry’s mom knew about lostfrog.org and b) that Terry has a new frog.

I did not speak to Terry’s mom, but to his dad. The family is of an ethnicity that often emphasizes patriarchy and the adults clearly speak English as a second language. I didn’t want to step on toes by grilling Mom or Sis or Granny.

Terry’s dad told me what I recount – he was unaware of the web’s interest, and so was Terry, and that was a good thing as far as he was concerned. I specifically asked if other people had been calling, and he indicated that no-one had.

However, not mentioned in the thread comments is yet another story of someone calling Terry’s family. In this story, a forum participant (possibly affiliated with the very first site to post the image) called and spoke with Terry’s sister. I can’t recall the details of that interaction, but the poster noted that he was ecouraged not to locate and give a new frog to Terry.

Finally, Terry’s dad did tell me that he has a new frog. Although I don’t recall this explicitly, I believe I must have asked if the frog was called Hopkins. Terry’s dad emphasized that the frog was different. I was surprised on reviewing this post that I did not mention it directly. Presumably I didn’t think it had bearing on Hopkin.

I believe that in all probability the other members of the family just never mentioned the calls regarding the appearance of the flyer on the web – remember that Terry was actively posting these flyers for at least six months, and that they included a phone number. Others must have called before the web got hold of it.

So in my mind, the different narratives associated with Terry’s family boil down to internally consistent perspectives, despite the apparent contradictions. It’s possible, of course, that Terry’s dad actually was aware of the internet hubbub but chose to deny it in order to keep our converation brief. Of course, over time it becomes more likely that the family will become aware of it, as well.

Craig Thompson Awards Sweep

In my inbox today is a press release from Portland-based Top Shelf Comix, properly tooting their own horn on a first time eent in the history of comics. Portland-based comics author Craig Thompson swept the comics industry awards this year, winning every award he was nominated for in recognition of the stunning accomplishment of his second graphic novel, the brick-like, 500-page opus Blankets.

Here’s what the press release has to say:

Top Shelf would like to congratulate Craig Thompson for doing something that’s never been done in the history of comics: Sweep the Eisner, Harvey, and Ignatz Awards in a single category — and he did it twice! BLANKETS not only swept the awards in the “Best Original Graphic Novel” category, but Craig took home all three “Best Cartoonist/Outstanding Artist” awards as well. This is a rare feat indeed! If you haven’t read BLANKETS yet, you really need to see what all the fuss is about. You’re in for a real treat.

I couldn’t agree more. I loved Blankets when I read it last fall, and of all the interviews with comics people I did last year, interviewing Craig about this work was easily my favorite interviewing experience. It’s rare to have the opportunity to discuss a work of genius with the creator just before the work begins to develop a reputation. It was a chance to talk with a young man who was aware of having accomplished something special but who had not yet begun to incorporate others’ appreciation for the art into his expectations and understandings of how the world looks at him. He struck me as having a solid head screwed on his shoulders and I hope to see further amazing things from his pen.

I ran the whole long Craig Thompson interview here at the end of last year and also a brief conversation I had with him about Portland compared to Seattle as a comics-creator community.

Congratulations, Craig! Do it again!

New Voyage

Apparently I haven’t been paying close enough attention, as in October the Star Trek: New Voyages project released their second episode, In Harm’s Way. Regrettably, it seems they also have not been paying attention, as it’s impossible to ID the content from the URL or storage structure they have implemented at the moment. Presumably, someday, a more effectively designed storage mechanism than a bunch of numbered zip files in a directory named FILES will be a technology within the Federation’s grasp.

Snarking aside, I look forward to seeing this.

UPDATE: OK, now I’ve seen it. Hoo boy, what an incoherent plot. I mean, I was able to follow it; but that’s because I’m a big ol’ Star Trek geek. The overall look of the thing pretty darn slick, I have to admit, enough so that the uneven acting quality is a bit obtrusive. That and the possibly accidental reliance on esoteric Trek lore knowledge to tie the plot together may have the effect of limiting the appeal of the piece.

It looks to me as though they ended up with about 90 minutes of plot and simply cut the exposition, leaving certain events in place without clear explanation. All that and a time-travel based plot, too. I will show this to a non-Trek fan to get a baseline, though.

The other thing that bothers me after first viewing is the weird interaction between hyper-consciousness of detail (seen in the obsessive attention to the look of the sets, for example) and complete rookie lapses of attention to detail. The examples that come to mind are a) the unfortunate use of vertically-scaled fonts and poor linespacing for the titles, and b) in the sequence when the Farragut dives toward the surface of the Gateway planet, suddenly, we view a reverse-angle of the ship with the surface of the planet in the background. There are others, but those two made me cringe.

In a less-polished production, the lapses might look humorous or intentional; here, they distract from the ambitions of the series creators, I think, by jarringly underlining the amateur status of the project. It’s a hard row to hoe. But the only way to meet the high aspirations these folks have set for themselves is for them to be absolutely merciless in critiquing the production. Nothing would please me more greatly than to no longer find nits to pick.

Nonetheless, kudos to the New Voyages cast and crew. Keep it up! I’ll be here waiting!

Hee hee

Viv, looking over my shoulder as I perused a certain mirror of a site devoted to photoshop tomfoolery, got a big kick out of some of the pix. When we got home from dinner, she pestered me for the URL, and I hooked her up.

About seven pictures in, she cries out, “OH NO! GOD, WHAT IS THAT!”

Alas, for I had no camera. My wife had just goatse-d herself, all unwitting. She’s doing fine, thanks, and the bandages will come off soon. Ah, celebrate family values, people. It’s what keeps us all together.

Sets

You know, I have only ever visited one live movie set while work was going on, and it makes a huge difference in visualizing what my film people are talking about when I’m doing quote work with them. I can only assume this holds true for journalists without development experience when interviewing computer people.

I think, though, there’s more to be learned regarding what goes on in shooting. I need to arrange for more time on set. For that matter, I need to arrange for fly-on-the-wall time in a dev group working on stuff substantially different than the sorts of projects I’ve burned the midnight candle over. Hm.

1919

Yesterday morning on my way to work, I glanced through the cold morning rain to see a cardboard box in the alley near a bus stop. A tattered piece of cardboard caught my eye, turn-of-the-century display type peeking out from the pile of debris.

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I investigated and found a stash of theatrical posters from St. Louis, dated between 1919 and 1928.

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On the backs of the posters, years of penciled figures, possibly bookkeeping.

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There were about twelve posters. All were lightly soaked from the rain and fragile as hell. I stuffed them frantically into a paper bag which had evidently been intended to hold them but which was unfortunately a bit too small to hold the now-slightly swollen posters.

Most survived, and I even caught my bus.