John Seabrook, Behind the Cellar Door, The New Yorker, January 23, 2017
I enjoyed this very much, as it refracted some aspects of my father’s relationship with wine, and my own, back to me.
In particular, parts of this passage:
The heavy door swung open, drawing the cool air of the cellar behind it. The viny scent of wine, cut with the stringent reek of strong alcohol, enveloped us. It was pitch black within, and, in the moment it took my father to find the light switch, I imagined a demon rat rushing past us and disappearing into some other part of the house.
Then the lights blazed up on a square room, about fifteen feet per side, filled from floor to ceiling with wine and liquor, resting in sturdy wooden bins stacked four high, stained dark brown and built around three sides of the room, along with a two-sided row of bins in the middle, forming two bays. It was like stepping into King Tut’s tomb.
My father began making wine before I was born and, I presume, collecting it as well. Seabrook’s family experiences with his father’s cellar are on a grander scale than that I share with my father, but that line about the scent chimes with early childhood for me, and by the time I was 16 or so my father built a special room in our basement dedcated to his wine collection, walls lined with bins, a table and notebooks there for recordkeeping, smells and all.